Showing posts with label Really Really Big Man. Show all posts
Showing posts with label Really Really Big Man. Show all posts

Friday, January 18, 2019

Short Story / Eyes Capades (Rocko's Modern Life Season 2 Episode 13) - 'Toon Reviews 24


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Short Story


Are you familiar with stories about short characters wishing they were big?  In my life, I’ve seen a lot of them play out the same way.  The short character gets a chance to become huge, but they grow so much that they cause havoc for everyone which convinces them to go back to normal.  If that setup sounds familiar to you, then you know what to expect with this cartoon. 
Rocko is certainly very short compared to nearly everyone else around him, but this cartoon is where he starts getting self-conscious about his size.  Part of his desire to be bigger comes from a relatable instance of being impressed by O-Town’s resident super hero, Really Really Big Man.  However, most of it comes from people being jerks to him about his size. There’s a customer who purposefully has him get a comic off a really high shelf, and his horrid boss Mr. Smitty docks his pay just because he can’t see Rocko behind the counter.  Not only that, but Rocko is shown to be so short that he needs to stand on a box to work and sit on a balloon to drive his car.  That kind of contrives his height anxieties since these things to make Rocko taller never show up anywhere else.  This is an example of everything we know about a show being compromised just to fit the standards of common plot archetypes.  That’s not the strongest storytelling direction to take. 
Then comes the part where Rocko gets a chance to become bigger.  However, it’s not exactly in reality.  He has a car crash after driving with his height balloon deflated and passes out into a dream world modelled after Oz mixed with a bit of Wonderland.  While what happens is kind of cheapened since we know right away it’s all just a dream, I admit that what follows is best kept for a dream.  Even for a show with extreme cartoonish depictions of everything, the use of fairies granting wishes isn’t exactly a strong fit for its reality.  Speaking of which, a fairy, humorously portrayed as one of those recurring garbage rats, is the very way Rocko gets bigger. 
Fitting for the familiar story threads, Rocko not only becomes bigger, he becomes gigantic.  At this size, he causes havoc to everything he comes across with planes flying into him, buildings coming down, and a sneeze causing violent gusts.  It’s a concern that Rocko is totally unaware of what he’s causing, but it doesn’t stop his innocent remarks to his new perspective of things from being charming.  Unsurprisingly, he’s seen as a monster for this, causing O-Town to call on Really Really Big Man to take Rocko out. 
This leads to the comedic highlight of the cartoon where RRBM brings a light-hearted edge to the super hero role.  There’s mild humor from how he calls Rocko out for destroying the town, and he even stops fighting for a while to teach Rocko a lesson for being himself.  There’s even subtle indications that he has a stalking problem as he brings up Rocko’s major feats as a shorty.  So, from that Rocko is convinced to become small again with the help of Dorothy’s red slippers magic oven mits.  Normally I’d say that it would’ve made more sense for Rocko to become smaller than a giant but bigger than his old self. Here, his old size works given that it’s the only height that can save Spunky who falls in the sewer.  Since this is just a dream, Spunky is never in real danger, and it ends as Rocko finally wakes up for one last Wizard of Oz reference.  Those who wronged him apologizing and a Joe Murray cameo are a plus. 
In the end, this short story isn’t the show’s most creative, but it’s a pleasant little watch all the same.
B


Eyes Capades

For the last cartoon for Season 2, this one isn’t anything big or special, but rather a cartoon that’s par for the course.  Being par for the course is still quite great for this show, this time tackling the relatable instance of needing glasses.  This is especially relatable for me and my family who are visually impaired.  The first thing we typically get to fix that is a pair of glasses, and many of the hassles that come with them are on display here. 
The central event for the cartoon is something particularly creative.  Jackhammering is made into a sporting event with people using them for tricks, and Rocko is apparently very talented at that.  As he prepares for the event, he makes noticeable mistakes such as tripping over Spunky and feeding him fertilizer instead of dog food.  The biggest blunder is when Rocko finally practices jackhammering, he almost crushes Spunky.  Out of all this is one of Heffer’s biggest moments.  For all his dimwittedness, he’s fully aware of the trouble Rocko is inadvertently causing and is the one to convince him that something must be done.
What follows is a very funny trip to the optometrist with enjoyable exaggerations of what eye exams are like. Rocko needs to get very close to a letter board yet still can’t read that it’s spelling the Alphabet Song. The optometrist pulls random things out of Rocko’s eyes. The tool he uses to test what lenses work best for Rocko is easily converted into a tool to make fries.  Plus, the optometrist himself is very enjoyable with a wholesome sense of humor throughout the exam while remaining focused on his job. 
In the end, it’s no surprise that Rocko needs glasses to see better.  We get a humorous encounter with the Chameleon Brothers as they give Rocko a vast array of specs.  However, none of this matters when Rocko can only afford an uninteresting pair of glasses which come with all sorts of relatable drawbacks.  Most of them boil down to self-conscious issues Filburt has with his own pair of glasses.  Among them is a great sight gag where it looks like someone’s mugging Filburt, but turns out to just be washing his glasses when he doesn’t want to.  These issues turn out to not apply for Rocko at all.  His issues are far more inherent of his actual glasses with how they look, and how it’s hard to keep them on while he’s jackhammering.  He ends up having them flung onto the road where they get destroyed by traffic.  I have to admit that the glasses being a burden probably would have meant more if there was more time devoted to Rocko having problems with them before they get destroyed.  Maybe if there was less time on his appointment and actually getting the glasses. 
Still, the resolution to this problem is very fitting and relatable.  Rocko enters the jackhammer competition seemingly without glasses.  However, he impresses the crowd with his skills and doesn’t hurt anyone.  It turns out that he replaced his glasses with contacts.  I for one call contacts a major step up from glasses since they’re without all of glasses’ issues.  You wouldn’t even know someone was visually impaired.  The fact that it’s not revealed until after Rocko’s performance is also good for tension’s sake.  To make the conflict more balanced, we nicely end with a jackhammer champion show that glasses do have their benefits as he wears a pair when he’s not jackhammering. 
While some parts of the cartoon feel too long or too short, it still stands as a nice relatable story with creative ways of showing how things work and imaginative events.
A

The Ranking
  1. Rocko’s Modern Christmas
  2. Tickled Pinky
  3. Boob Tubed
  4. Gutter Balls
  5. Uniform Behavior
  6. Kiss Me I’m Foreign
  7. The Lounge Singer
  8. Road Rash
  9. I Have No Son
  10. Snowballs
  11. Commuted Sentence
  12. Cruisin’
  13. Eyes Capades
  14. Born to Spawn
  15. Down the Hatch
  16. Junk Junkies
  17. Pipe Dreams
  18. She’s the Toad
  19. Hair Licked
  20. Short Story
  21. Hut Sut Raw
  22. Frog’s Best Friend
  23. Day of the Flecko

Final Thoughts
Another Rocko’s Modern Life season has been successfully covered and boy did it bring a lot of fun cartoons to talk about. It follows up on every strong point of the first season and makes it feel fresher with interesting stories and standout moments from the main characters.
When it comes to the usual cartoon setups with life challenges exaggerated to great effect, they retain the same appeal.  The ways they utilize animation are a testament to the medium’s versatility and score a humorous and impressed response for the majority of the cartoons.  As usual, even when the plots don’t have much to offer, they make up for with the variety of ways Rocko and his friends approach the basic concept of life.  Things like fixing a toilet, garage sales, bad hair days, road trips, skiing, and more bring simple stories, but the weight to them comes from the various associated antics.  The extreme ways attempts backfire, crazy people they run into, and climactic moments all the gags build up to ensure that the saying that life is never boring is totally true.
With Season 2, the exaggerations are stepped up and go all out with any bizarre concept.  As a result, many cartoons capitalize on the show’s main objectives, successfully building upon an already winning formula.  A cartoon about Rocko needing his appendix removed brings a heartwarming dream where it comes alive and Rocko puts up with all its crazy final requests.  Big events are made out of certain characters’ habits with Heffer’s TV binging causing him to lose his brain and Filburt getting strange ailments that force him to migrate to his birthplace.  Even cartoons that totally go off the rails like Rocko getting roped into marrying Filburt who takes the charade too seriously are executed to great effect.  Not only does this show do its usual thing of making outrageous antics relatable, but in Season 2, it proves itself as a show capable of doing anything it wants to.
Many of the core characters in the cast are the main reason why these cartoons work so well.  Of course, Rocko being an average everyman remains a likable lead remaining calm and friendly in such a crazy nutty environment of O-Town.  He may be at the receiving end of much of the craziness, but no matter how much he suffers, it’s always nice when more often than not, things work out for him in some way.  In some cases it can be to heartwarming effect.  That said, even the craziness of the world he lives in has plenty of endearment.  As a more regular character this season, Filburt adds to the aesthetic of the show’s setting through his neurotic yet entertaining quirks.  His phobic tendencies work off well with restrained or extreme traits of other characters and he even approaches his own challenges interestingly.  With Heffer, he was already seen a lot in Season 1, and while he’s mainly a slacking gluttonous steer, all his good traits from there nicely carry over to Season 2.  Several instances show him as a devoted friend to people in his life like Rocko, his mom, and even his grumpy old Grandpa.  There’s even an instance where he takes a job and proves capable of performing it, and his only undoing is letting the power go to his head.  When it comes to dumb characters, it’s clear that Heffer is one of the better ones who should get more attention.  In addition, it’s even nice to see the dynamic of the Bigheads at play.  Ed is still mostly a jerk who always gets what’s coming to him, but in a good number of Season 2 cartoons, there are times when he’s legitimately likable.  This makes him better rounded than just your typical mean neighbor.  The biggest one being right at the season premiere as he grows to be accepting of his son Ralph’s artistic passions.  Bev also stands as a strong character by frequently calling out her husband’s jerkiness and demonstrating authority in their marriage.  For that, it’s fitting that she’s often quick to take initiative in bad situations such as bringing the good out of a bad dog and taking her husband’s place at work.  Seeing more of side characters like the ever-cheerful surgeon Dr. Hutchison and the versatile Chameleon Brothers also helps the cast’s appeal.  It goes to show that with a likable cast, be they average or eccentric characters, any cartoon idea has a good chance to work.
There are a few drawbacks though.  For every great character moment, there are a few times where what they go through is noticeably less enjoyable than others.  Sometimes instead of the nature of life itself, some characters have to suffer because of one person being a jerk to them.  The biggest example I can think of is some conflicts initiating because of Rocko’s boss Mr. Smitty being far too unreasonable and cruel.  Things like threatening to fire Rocko just for being late and working him really late to fix an error on a bunch of comics that was the illustrator’s fault make him very unpleasant.  It can be argued that mean bosses are a part of life too, but I doubt they’d be this harsh, and it often feels too real to be an exaggeration.  Even the nature of life can sometimes go too far with the torment the protagonists deal with and present it as believable instead of a comedic exaggeration.  It's gotten to the point that jerk characters like Ed undeservedly suffers in the one instance when he does nothing wrong.  Those are times when the cartoons are far less impressive than normal.  Thankfully, there’s only a few times that happens and the cartoons are still plenty enjoyable on the whole.  I only bring these points up to show that the show simply isn’t perfect, but the flaws are not dominant enough to devalue what it excels at.
With Season 2, Rocko’s Modern Life is a show that knows what worked greatly the first time, expands upon it, and makes what was an ingenious setup even better than before.  It especially stands out for even bigger creative and abstract concepts and successfully makes them engaging through how the characters approach them.  There’s a reason the show is one of the staples of classic Nickelodeon, and the second season is solid proof of what it can do.  If you think Season 1 is a hoot, you’ll be in for an even bigger one the second time around.

Highly Recommended


After such a chaotic look at modern life, I think we deserve a break from it before looking at its next season. Here's the new review schedule which includes a show new to this blog:

  • Mondays, Wednesdays, and Fridays: Hilda Season 1
  • Tuesdays and Thursdays: DuckTales Vol 3
  • Saturdays and Sundays: Steven Universe Season 3
Stay tuned for all of this, but until then:

Stay Animated Folks!

Saturday, July 7, 2018

'Toon Review 18: Rocko's Modern Life Season 1 Episode 5: Power Trip/To Heck and Back


Power Trip

Although this isn’t the cartoon where Rocko’s official job at a comic book store is introduced due to the only official episode order I have not being in the production order, this is technically the first time we see it.  The environment of the job with small spaces and a cold boss, Mr. Smitty, helps make Rocko relatable for having such less-than-ideal working conditions showing that no job is perfect.  Rocko also exhibits a proper attitude anyone working should aspire to have. He’s friendly with customers and focuses on the job’s positives through reading the comics about Really Really Big Man.
As for the story, Rocko gets to break from his counter job when Mr. Smitty goes out of town and puts him in charge.  He hires his friend, Filburt to help.  As a character, Filburt is very likable and entertaining.  He may be nerdy and neurotic, but expresses those traits with such endearment and manages to brave the stressful tasks he’s put through.  This quality becomes apparent with what Rocko gets up to as the temporary boss. 
His time in Mr. Smitty’s office mostly consists of him trying out the features of his boss’ chair. Then he touches a green button Mr. Smitty warned him about before he left.  After pressing it, Rocko literally becomes his boss, adopting his angry face, crazed attitude, and later on his apparel.  This becomes a problem in a grueling, yet still pretty funny scene where he continuously calls Filburt up to the office to command him to sell RRBM comics, and Filburt then runs down to try and sell them to angry customers even though he doesn’t have them.  As fun as it is to watch Filburt run up and down the stairs with a humorous call for him from Rocko in between runs, it’s perplexing that no one realizes that RRBM comics simply aren’t available.  Rocko at least has the excuse of being under the influence of the green button, though it doesn’t make the scene where he fires Filburt, one of his best friends, any less harsh one to sit through. 

There is a nice scene of Rocko discovering the errors of his ways from Really Really Big Man himself.  He shows Rocko what’s happening to Filbut, what he’ll become if he carries on acting like a jerky boss, and his and Filburt’s childhood friendship, featuring the birthplace of a charming part of Filburt’s neurotic ways where he keeps repeating that he’s nauseous.  Each vision stands out for the risqué additions of RRBM’s chest hair and nipples, further selling the comedic appeal of the superhero.  As for Rocko and Filburt, them making up is a very nice scene to make up for the animosity, as is how they solve the problem of the store in a mess by having RRBM sign customers’ comics. 
Unfortunately, despite the success they find with these actions, when Mr. Smitty returns, he unreasonably wants Rocko to fire Filburt, and Rocko ends up fired with his friend when he defends him.  Unlike most hardships Rocko runs into, this one is hard to justify since it comes from irrational actions of another character that go unpunished as opposed to bad luck beyond his control.  It’s a good thing this show isn’t too continuity based since Rocko is seen working at Kind of a Lot O’ Comics in several future cartoons. 
It may not end well, but the nice moments for Rocko and Filburt and the humorous take on superheroes are strong enough to make the cartoon good as it is.
B


To Heck and Back

One of life’s biggest questions is of what happens at the end of life.  Anything can kill us, but no one alive can possibly tell what happens after that.  In animation, you can depict any interpretation of the afterlife.  This cartoon expresses such an idea, but in regards to the bad place. 
It starts with Heffer displaying his primary character flaw while eating lots of food at Chokey Chicken, and Rocko has to pay for everything yet gets far less to eat.  This flaw of Heffer’s brings on the main plot when in his gorging on chicken, he chokes on a bone and passes out.  There’s an interesting take on Heffer in the afterlife out of this when he starts out flying towards the sun for a big hamburger, but then his wings melt and he falls through the ground into the dark and fiery Heck. 
Actually, this is another strong positive to the cartoon. It’s one of the cleverest plays on censorship.  The cartoon knows exactly what it means by Heck with letters of the real name crossed out and replaced, and characters suggesting the real name before quickly going with the euphemism.  Even the need to not use the real name of the Satan figure is jabbed at with him insisting being called by the nonthreatening name, Peaches.  He specializes in bringing on eternal torment to bad souls, but it’s approached with fumbling attempts to remember the lines, genuine frustrations while explaining everything, and sounding like a salesman when advertising Heck’s amenities. 
As funny as the undertones are, it still makes a point regarding what it does for Heffer.  Peaches claims that Heffer’s here for committing the deadly sin of gluttony.  Tormenting him with a TV that has no remote, Peaches explains the sin with a montage of Heffer’s gluttony being far more extreme than normal, constantly hurting others by costing loved ones any food.  A great thing to take from Heffer, watching his memories, and what’s currently happening with Rocko stuck in his abdomen while retrieving the chicken bone, feels genuine regret as a glutton.  It shows that even when we sin, there’s hope for good inside us, and this is easily true for Heffer.  Even in prior appearances he’s been a good, caring friend despite his faults.  So even when he’s put forced to watch Rocko stuck inside him and witness the face of Peaches as demonic udders, Heffer is still likable and sympathetic. 
It even feels like he’s grown from all this when he throws away a chicken when offered an escape from Heck saving both himself and Rocko.  However, we then get a montage of Heffer reverting back to his old habits and having to be reminded of his lesson by sudden appearances of Peaches culminating with him ending up in what looks like a coffin, but cleverly turning out to be the inside of a pretzel box in the world of the living.  The point is, the whole thing was just a dream, and Heffer still has an eating problem as he and Rocko end the cartoon driving to Chokey Chicken again. 
It is disappointing that Heffer’s experiences and development end up all for naught, but other than that, this is still a strong cartoon for showing that good can exist even in the biggest of sinners, and the creative depiction of Hell Heck.
A

The Ranking
  1. Skid Marks
  2. To Heck and Back
  3. Who Gives a Buck?
  4. Dirty Dog
  5. Jet Scream
  6. Keeping Up With the Bigheads
  7. No Pain No Gain
  8. Power Trip
  9. Bedfellows
  10. Leap Frogs
Be sure to stay tuned for the review of the next episode where Rocko and Heffer go on a Wild West adventure as well as the TV version of the original series pilot "Trash-O-Madness."
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If you would like to check out other Rocko's Modern Life reviews on this blog, click here for the guide made especially for them.