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Cleaved
All
the events of this show have built up to this series finale set on destroying
the magic, the force that has always been a vital way of life in this show. As far as series finales I’ve seen
go, the results, despite having a few grand moments, feels small in scale and
leave mixed impressions considering this is how the show goes out.
First
of all, it feels unnatural that Star faces very little opposition to
her plan of destroying magic considering that doing so will end up taking many
lives. True, some beings like Hekapoo
and Glossaryck are accepting of this, but something still feels off, you might say unbelievable. There isn’t even emphasis on
emotion about this being the last time they’ll be seen, and that's saying a lot since Glossaryck's first death had an emotional reaction from Star. There’s also one offhand suggestion of
solving the problem by Star, Moon, and Eclipsa facing Mina together, but that
goes completely nowhere. Destroying magic may arguably be the best chance to depower Mina and the
Solarian Warriors, but I can't help but feel disturbed over the dark implications that are basically glossed over.
The sad part of all this is that the episode itself is clearly doing its best to make the destruction of magic a highlight
to the finale. There’s solid closure to
Glossaryck’s constant love for pudding as it’s the revealed to be the only
substance to keep people sane in the Realm of Magic as Star finds out upon
arrival. As she says the quietly
destructive whispering spell in the immense pond of magic to destroy it, the
sequence can be seen as moving if you try to wipe away the implications. Star
gets genuine support from Moon and Eclipsa who perform the spell
along with her, and it’s what really moves her plan forward. It’s also helped that they’re all supported
by the spirits of the Queens of Mewni, including a few touching reunions between
mothers. Eclipsa’s reunion with Solaria
is especially well done where at first Eclipsa doesn’t want to see her.
However, when Solaria later shows affection towards her daughter’s half-monster
daughter, that’s all Eclipsa needs to be at peace with her. Nevertheless, anything nice about these scenes is greatly diminished when you realize that when all is said and done, these queens are all getting together to kill many innocent races.
The unfortunate implications aren't even the only faults. Some pretty much stare the audience right in the face. There’s complete carelessness
when it’s discovered that Tom has been stuck in the Realm of Magic all this
time and that Star, Marco, and their friends never considered this. Then there are several copouts of good ways
to raise tension. Marco gets stabbed by
a unicorn, but it doesn’t mean anything.
Mina and a herd of dark unicorns try to stop Star, Moon, and Eclipsa
from destroying magic, but they’re defeated instantly and the scene fails to be
as grand as it could be. Even the emotional aspect feels botched as magic is fully destroyed. Generally, it’s easy to feel how hard it is for Star to
part with Marco knowing that without magic, they can never be together. They ultimately try to make it so they remain
in the destroyed Realm of Magic for all time, though apparently the remaining magic
within them is enough to send them back anyway.
With lives being lost, lifestyles being inconvenienced, and potential families being broken, despite the great staging of these emotional moments, it feels wrong to be majorly over romance.
Afterwards
comes the reflection on Star’s decision to destroy magic. For the most part, monsters and Mewmans reach
a solid conclusion from Star’s decision, heading towards living a simple life
together without magic. Mina is shown to
survive and gives an honest foreboding message that even if she is destroyed,
her ideals will persist, although only one Mewman at the moment sides with
them. It’s still concerning that
everyone just ignores her. Is that really okay after everything that's happened? Just like other points of this episode, it's very unnatural that Mina's dealt with next to no urgency, and she is one of the more legitimate threats. As for
Star’s other interdimensional friends who are sent back like Kelly and Tallon,
it feels like she’s accepting of them being gone forever too easily. It’s also not entirely convincing that they’d
be happy going back home and never seeing her again like Pony Head says. Also, despite how bad they ended up being,
it’s very disturbing that the Magic High Commission being dead now is treated
like it’s not a big deal. The sight of the corpses of Rhombulus and Omnitraxus sells the unsettling tone wholeheartedly.
Very slowly
though, Star becoming the most concerned that she’ll never see Marco again
becomes even more of an issue. When a strange portal
appears, rather than doing the logical thing and wondering what it means, Star
rushes to it in the hopes of fulfilling her own love goals.
It does feel justified when Marco sees the
same thing on Earth and rushes towards it.
From a staging perspective, it’s easy to be swept in by the emotional
rush and desperation of the music. Then when they both finally reach it is one
final magical occurrence. With a white
flash, both Earth and Mewni are cleaved together, making for somewhat of a
suburban fantasy world of monsters, Mewmans, and humans living together. The layout is also a huge jumble with
hodgepodges of roads and machines right next to amenities of a magical
kingdom. It’s an interesting direction
for sure, but there are visibly many problems people have with this sudden
change in the world. There would be a
good chance to show them all learn to accept this, but there’s no time because
it’s the end of the episode and by extension the series. It’s an endearing happy ending for Star and
Marco’s sake as they end things off by lovingly saying hi to each other, but
with all the present issues, is this really earned?
As
you can see, there’s a lot of ambition in this series finale, as well as effort to ensure it goes out on a high note, mostly through the technical aspects. However, very little of it actually pays off. With
unfortunate implications, and so many issues that get ignored for the sake of
Star and Marco getting together, it’s held back from ending the show in a 100% satisfying way. I can see the intentions were good and there are signs of effort for the episode to try and leave a lasting moving impression, but the execution is sadly noticeably shoddy.
D+
The Ranking
1. Cornonation
2. The Monster and the Queen
3. Ready Aim Fire!
4. Gone Baby Gone
5. Escape from the Pie Folk
6. Meteora’s Lesson
7. Swim Suit
8. Cornball!
9. Yada Yada Berries
10. The Right Way
11. Moon Remembers
12. Jannanigans
13. Beach Day
14. Britta’s Tacos
15. Junkin’ Janna
16. Queen-Napped
17. Ghost of Butterfly Castle
18. The Knight Shift
19. Ransomgram
20. Mama Star
21. Butterfly Follies
22. Kelly’s World
23. A Boy and His DC-700XE
24. Surviving the Spiderbites
25. A Spell With No Name
26. Princess Quasar Caterpillar and the Magic Bell
27. Down By the River
28. Out of Business
29. Lake House Fever
30. Tavern at the End of the Multiverse
31. Doop-Doop
32. The Ponyhead Show
33. Pizza Party
34. The Curse of the Blood Moon
35. Cleaved
36. Here to Help
37. Sad Teen Hotline
Final Thoughts
The
best way to describe the final season of Star
vs the Forces of Evil is that it’s very reflective of what my overall views
of the show have shaped up to be. It’s a
series with a lot of ambition for something special, memorable, and a worthy
modern instance of Disney magic.
Sometimes it lives up to those standards, but a lot of times, it comes
close, but makes one big decision that holds it back. With Season 4, the drawbacks seem to happen a
lot more than warranted.
There
is one thing though that this season is considerably strong at. Since the show started out merely as a series
of wacky interdimensional adventures, it wasn’t a quality to shake off when
adopting a more dramatic approach to its story.
As a result, there were frequent moments in the previous season where
episode segments had completely different subjects. It didn’t leave time to take in the heavy
effects of things like big reveals or game changing battles through suddenly
shifting to something completely different.
This is hardly ever the case with Season 4 where what’s meant to focused
on is consistent for several episodes in a row.
It wastes no time following up on where the third season left off, showcasing how much Mewni has changed with Eclipsa being named queen. Amidst it all is resolution to Season
3’s loose ends. The first two episodes
fix the big issue of finding what happened to Moon, and the one after that sets
up what’s to be done with her while Star helps Eclipsa rule as a good
queen. After that, there are a few
varying topics in episodes such as getting the Mewmans to like Eclipsa,
resolution to the prejudices of monsters, Moon forming a new kingdom while trying
to lead a simple life, and more. However, it actually doesn’t feel problematic.
Every episode’s plot has a conflict that’s resolved by the end and doesn’t
leave too much emotional after effects to be concerned about. For that, it’s actually acceptable to go from
topic to topic so sporadically.
Plus,
the season manages to find a way to connect everything that goes on in every
episode. There’s progress in things like
Eclipsa’s reputation improving and even the majority of Mewni growing to find
goodness in monsters. This way, even if
an episode is light-hearted on the whole, they all follow the same tone with
just enough attention given to weighty topics.
By the time we reach the middle of the season, all lingering plot points
come together for a pleasing resolution.
It comes with a pleasing coronation, a grand-scale battle to pull
everything off, and another huge game changer in the acceptance of Globgor, the
king of monsters. When all this is over,
the season is all set up to focus on nothing but light-hearted adventures with
a brief return to Echo Creek. By
extension, it gives an excuse for a pleasing reunion with a few Earth
characters who haven’t been seen in ages.
Then once instances of magic on the fritz pop up, it’s a scramble to
return to Mewni for one last round of action.
It even impresses in unexpected ways by explaining how Janna suddenly
appeared on Mewni a while back and making it important to the plot. Once our heroes make it to their destination,
the last episodes mostly deliver with effective drama and awesome battles. This is perhaps where Season 4’s underlying
story is at its most tonally consistent.
Put together, they’re all one huge climax resulting in some of the
hugest game changers of the series. Out
of all the seasons of the show, this is the one where it’s the easiest to take
in all the effects of everything big that happen through fitting focus and arrangement
of episodes. However, while you can take
in what the episodes offer well, how does the story material fare by itself?
This
is where the drawbacks really abound where for every great moment in Season 4,
there’s always that one decision that holds it back from true greatness. No matter how much creative world building or
big battles there are, it’s not as impactful if the story isn’t at its most
pleasing and the characters aren’t at their most likable. These instances are the most apparent at
keeping the show down from the big leagues.
Some story beats and characters are consistently good. Star trying to make her changes to Mewni work
is compelling. Marco’s multidimensional adventures are fun. Eclipsa and her
family are absolutely charming. Even Janna works as designated comic
relief. However, it’s hard to get fully
invested when it’s happening alongside unwelcome story beats and unlikeable
character moments. First there’s
unbelievable scorn towards things like Eclipsa’s reign as queen and monsters
allowed into the kingdom. I know stuff
like this is nothing new, and Eclipsa’s use of dangerous spells does justify
some mistrust. However, a lot has happened prior to these changes in the kingdom. The fact that Eclipsa’s the reason everyone
in Mewni has their souls back should make them at least start warming up to her
and giving her a chance. Sadly, there’s
little to no change in their attitudes from Seasons 3 to 4, and that affects
the credibility of the conflict. Without
good reasons for this much hostility, everything feels shallow and
one-sided. I am grateful that Mewni
becomes more open to changes over time, but the way that happens still feels
very mix. On one hand, there’s a decent
commentary of different societal views coming from the new generation that
deserves to be heard. For the most part
though, it’s frivolous matters that sway a better opinion for things like Eclipsa’s
rule. At least the latter actually gives
credibility to the likes of Pony Head.
If
that’s not enough, there are noticeably sloppily executed plot points. The hatred of monsters is given a probable
reason for being as big as it is. The
image of Globgor trapped in a crystal is enough to suggest the worst, and a
claim that he ate Eclipsa’s Mewman husband enhances that belief. However, Globgor is revealed to be a very
nice being, not evil at all, and even a vegetarian, allowing it to make sense
that he’s accepted. The problem is that
nothing is done with the claim of him eating the king. Did he really do
it? Was he framed? Nothing like that is ever addressed, and
what’s seen and heard of Globgor are completely different. You have to question if he even deserves this
much acceptance despite being one of the more likable characters. In addition, while some leftover plot threads
from Season 3 are fleshed out significantly like Marco getting a new baby sibling, there’s a huge one that’s brushed aside. Ludo, whose presence was significant in the
beginning, really gets the shaft. While
he comes to a healthy and appropriate conclusion of living happily with his
brother Dennis, it’s sadly all done in one episode, and then little to
nothing’s done with him again. This
brings the impression that Ludo was given attention for one episode out of obligation
and not a natural fit for the story. All
his contributions to the first half of the series go to waste because of this,
making one wonder why he was treated with such importance in the first
place. Imagine how meaningful his point
of closure would have been if it was one of the bigger plot points for the
season with several episodes leading to him adopting a healthier
lifestyle. It would be a more satisfying
end than what the end of the season provided.
Speaking
of which, the last few episodes are probably what brings the worst effect to
Season 4 with the most uncalled for plot points and disturbing character
moments. It all has to do with what’s
done with who was one of the strongest characters in the cast, Moon. Staring off in the series as a standard
no-nonsense prim and proper mother, she turned out to be much more complex than
that. Rather than overruling her
daughter’s decisions, Moon was actually very accepting of who Star was, and
only wanted to protect her out of love.
She was even capable of being tough and action oriented when
necessary. Plus, her prejudices actually
had some weight to them, particularly with how a monster killed her mother. It really seemed like the events of Season 3
were allowing Moon to overcome any emotional turmoil she was dealing with and
become stronger as a result. Season 4
gives a lot of strong impressions of this trend continuing through being
friendly with Eclipsa and supporting Star helping her rule as queen despite not
fully trusting her. The latter element
shows even more with Moon giving so many insistences of her not being queen anymore
and wanting to live a simple yurt life with her husband. Even when persuaded to retake the throne by
Mina Loveberry, she shows awareness of the dangers of her and the class of
Solarian Warriors she follows. While she
opts not to help protect Eclipsa and let her deal with Mina alone, it does show
that Moon is sticking to her beliefs on the matter. That’s a solid healthy way of
dealing with this that also makes sense for her character. Then everything we’ve been shown from Moon
gets horribly retconned.
The
last stretch of the season starting with Star and her friends arriving back on
Mewni starts with awesome battles and character moments. When Moon shows up to help, all events of the
season lean towards the most genuine support needed, but what she brings is
anything but. The rampage of Solarian
Warriors and Mina’s rise in power are all because of Moon, making her, one of
the best developed protagonists, responsible for something so despicable. What’s worse is that she really has no good
reason for doing this in the name of retaking the throne from Eclipsa. All she has is a half-baked one that doesn’t
consider her own fault in a matter, making her disturbingly ignorant to her own
shortcomings as she calls out everyone else’s.
There isn’t even the slightest hint of her doing so elsewhere other than
Mina saying that her will to rule is in her blood which Moon herself never really
touches upon. All her scenes prior to
the last part of the season show her saying she’s not the queen anymore and
being proud of how her daughter has grown.
How does starting an army of warriors she knows are dangerous connect
even slightly to any of her prior moments? To be fair, Moon’s regret over her
actions in the series finale is well executed and redeems her reputation
slightly.
By then though, her actions
only lead to more unfortunate implications from Star doing what she feels is
the best way to stop the Solarian Warriors, destroying magic. It’s hard sitting with the fact that doing so means taking the lives of
beings made of magic. Yes, some beings
are accepting of this fate, but it’s still unnatural that absolutely everyone
is willing to go through with this morbid plan.
It doesn’t even offer a chance at a good redemption for the likes of the
Magic High Commission other than Hekapoo.
Rhombulus at least had a few instances of humanity and goodness despite
his bad actions, but now everything bad about him is what will stand out the
most due to his demise. There’s also
thoughts of how inconvenienced all dimensions will be considering they’ve been
dependent on magic for travel and stopping genuinely threatening enemies. Then Earth becomes cleaved to Mewni, so what will that mean for other dimensions with beings Star and others will
probably never see again? The only way all this could be possibly acceptable is if the season built up a plan that would stop the bad guys and not take
any lives. All of these drawbacks are a result of a story decision that goes against everything great built up
about Moon. You could argue that this
decision was made because Mina is hard to take seriously as a final antagonist
no matter how monstrous she is. Even at
her most threatening, she’s nothing compared to Toffee or Meteora when she was
Ms. Heinous. Honestly though, the final
part of the season would have been better off if it was all Mina’s doing, for
compromising established likability of a character is just plain wrong.
I
must point out that Moon’s characterization doesn’t deserve all the blame for
Season 4 falling apart in the end.
There’s one element that’s been getting an uncalled for amount of
attention for a while now in this series; romance, particularly with bringing
Star and Marco together. I’m certainly
not against them getting together. Their
chemistry has been undeniable ever since the beginning, allowing that
possibility to make sense in hindsight.
However, with so many instances of them finding love with other people,
the show always felt like it was going for a message that a boy and girl can be
really close, yet platonic. For that, it
felt somewhat off-putting of how Seasons 2 and 3 featured them both developing
crushes on each other and being fine with it despite being in other
relationships. One thing making things
work somewhat is having Star’s boyfriend, Tom, being aware that she and Marco
kissed and acting mature about it.
Despite this, it never really feels right that neither of them could
sustain relationships with other people if they kept acting infatuated with
each other.
This is where Season 4 comes
in to make these matters of romance go from a nuisance to a full-on
problem. There are moments of Star
continuing her relationship with Tom while Marco starts one with Kelly, both of
which seem healthy and worth supporting.
Efforts are also made for Star and Marco to try and end their crushing
on each other, with a whole half hour dedicated to it. However, they still seem to perfectly enjoy
being in love with each other, even as they seem to break a curse that may have
incited their crushes. As for their
other relationships, shortly after the business with the supposed curse, they
just end like they were nothing. The end
of Marco and Kelly as a couple is especially a sorry sight where it’s simply
mentioned in passing during a completely random adventure. There isn’t even time to deal with the after
effects of the breakup, making it feel like something that was swiftly cast
aside for interfering with the intended endgame couple. As a result, the romance drama is poorly
handled as well as completely pointless.
You could take the entire possibility of Marco and Kelly, as well as the
curse concept out, and Star and Marco getting together would come together much
more naturally. The stuff with Star and
Tom could be kept since unlike Kelly, Tom changes for the better from the drama.
Oddly enough, problems still abound there with Tom breaking up with Star is frustratingly
dragged out longer than necessary.
Even
without the drama part of the romance, it’s still a big issue when it’s mixed
in with bigger matters of the plot.
During the last stretch of episodes, it stalls the drama just as we’re
about to learn what Moon did with the Solarian Warriors for no justifiable
reason. That’s nothing compared
to its relation to the results of destroying magic. In spite of all the problems this decision
causes for the universe, the series finale acts like Star and Marco potentially
not getting together is the worst offense.
Romance is supposed to be an end result of good winning out when all bad
things are settled. With the effects of
magic’s demise in mind after the deed is done, it’s hard to get invested in
love when those bigger issues are in place.
The same sentiment holds true for when Mewni and Earth become cleaved
together. There are plenty of issues for
innocent beings all over as they clearly don’t adjust well to the sudden
change, but none of that matters because Star and Marco are together. I can’t be alone in finding something wrong
with this setup. The point must be made
that these characters finding love is not the problem. It truly was a long time coming ever since
the start of the show. It was simply
poorly timed with what it does to other characters and how it’s viewed as the
most important matter with other issues staring the audience in the face. Never have these issues been more prominent
than they are in Season 4.
When
looking at the issues of the final season of Star vs the Forces of Evil it’s kind of sad to see how big they
really are. They overall put a major
damper on its quality as a whole where while the results are quite good for the
most part, the show hardly turns out great.
In fact, it’s significantly weak in a couple of areas, especially in the
important ones regarding story and characters.
I do believe that these issues could be ironed out properly if it had
more episodes to work with. Apparently,
fans seem to share this opinion as many have put together petitions for another
season to be made, and they were quick to get a lot of signatures. Personally, while I don’t think another season is necessary, I think the
best thing for the show is a TV movie about Mewni and Earth properly adjusting
to being suddenly cleaved. Currently though, while petitions can and have been a strong force to get more content made, it's very unlikely that we'll get that for this show any time soon. In other words, it's debatable if any new content will really happen.
If
Season 4 really is where Star vs the
Forces of Evil officially comes to an end, I can at least say it’s
enjoyable enough in parts. Its problems
are too big to overlook and along with the setbacks of other seasons, they keep
this show from being a true top tier entry.
At least they’re not big enough to devalue the times when the creative
world building and engaging story beats do really impress. While it’s ultimately not Disney at its best,
there are at least plenty times when the experience turns out magical, relatively speaking.
Worth a Look
That’s
all there is to say about Star vs the
Forces of Evil. Overall, it’s
undeniable that it has a lot of ambition as a magical adventure series but has
a lot of things that could have used better execution. Its drawbacks seem to build up with every season, but for all its
problems, it’s easy to have enough fun with it.
Maybe the show as a whole is not one you’ll want to continually visit,
but it’s not without its entertaining impacts.
So given the likely possibility that attempts to get more from this show are all for naught, feel free to experience its magic and see what
you can get out of it.
For the next review set, MC Toon Reviews will be looking at the final episodes of Animaniacs. Until then:
Stay Animated Folks!
There's one element that I want to bring up. River, Moon's own husband, never found out about her alliance with Mina. How could he have reacted if he found out the truth? At least he's the more likable between the two of them.
ReplyDeleteAlso, while not on the same scale, the series finale of The Lion Guard, a Disney Junior show, has the protagonist make a big decision, but since it was thought up ahead of time and with the consideration of his friends, it works out.
Do you think you'll rank all the episodes or a top 10 (or more) favorite episodes of the show list?
ReplyDelete