Friday, September 28, 2018

'Toon Reviews 22: Animaniacs Vol 2 Part 2: You Risk Your Life/I Got Yer Can/Jockey for Position


If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on Twitter. Now on with today's review:
Episode 27
You Risk Your Life



Among the many different old school comedy actors that inspired the creation of the Warners are the Marx Brothers.  I have seen very little of their work, but from what I can tell, the real life actors and aforementioned cartoon characters are much alike.  Yakko especially brings Groucho to mind with his fast-paced witty comebacks and oddball mannerisms.  I bring this up because this sketch is a play on an actual game show Groucho used to host called You Bet Your Life. 
Prior to writing this review, I watched a clip of that show which featured Groucho asking questions to various contestants. A duck would come down to give contestants $100 every time they uttered a “secret word” all while working in a witty comment during the game.  It may have been a short clip, but it certainly sells the show as something interesting. 
As for the sketch, it plays to the humor-based tone of the original game show.  It shows right at the start with Yakko making a creative entrance by cutting a hole in a curtain and bowing face-first into the floor.  The atmosphere of the game show is further established with frequent cuts to stock footage of a live-action audience clapping.  Also, in the place of a duck giving money coming down, the secret word signal is Wakko suspended from a rope coming to hit the contestant who said the secret word with a mallet.  In this case, the secret word is the simple affirmative response, “yes.” To make the outcome even funnier, out of the contestants, an average woman and philosopher Aristotle, it’s Aristotle who keeps saying the secret word and keeps getting hit.  The joke does overstay its welcome when it happens a few more times even though it’s easy to see coming after the first time. 
Even so, the idea of the game show is captures so well, you can’t help but wish it lasted a little longer than a little over two minutes.  At least this is still an entertainingly absurd sketch that pays tribute to a rarely discussed element of the career of one of the Warners’ biggest influences.
A
I Got Yer Can
Making a good cartoon can be a great way to let out any frustrations you may have about life to entertaining effect.  One of those things is running into difficult people who give you a hard time about something incredibly minor you did that ticked them off.  It’s not always pleasant and is usually annoying. This cartoon shows what could happen if we had the power to get those difficult people to lighten up. 
The star is Slappy Squirrel, someone who is frequently annoyed with the world around her when all she wants to do is enjoy her retirement.  She goes about her business drinking soda on her way to the store, and puts the can in someone else’s recycle bin when she’s done. 
That’s when she meets Candie Chipmunk, an uptight neighbor who badgers Slappy about throwing the can in there.  This is a perfect example of dealing with people who get worked up over any minor inconvenience.  Plus, Candie’s shrill voice and demeaning dialog add to how much of a nuisance people like her can be. 
The big thing about what happens is that it’s based on personal experience from this cartoon’s writer and voice of Slappy, Sherri Stoner.  According to a bonus feature on this DVD, Sherri herself was also told off for putting her diet soda can into her neighbor’s recycle bin when she was just taking a walk.  This gives the cartoon more value and credibility than normal with clear inspiration from real life which turns out to be great advice for potential cartoon writers in general. 
The inspiration also stands out for it’s expanded upon with Slappy’s humorous retaliations towards Candie Chipmunk most people wouldn’t be able to get away with.  They start off with a few light-hearted tricks with disguises Slappy and Skippy pull to attempt to land the can with Candie.  They’re funny in their own way, but they mostly to build to a much bigger moment at a game show Candie competes in.  It's worth noting that her wearing an ear of corn on her head to the show humorously symbolizes how crazy and ridiculous she’s being over a can.  Her irrationality builds when she explodes after betting away all her luxurious prizes for the can. 
From this overly dramatic rage, the tone of Candie’s role her drastically shifts. She gets way too defensive and untrusting of anyone who comes to her door should they really be Slappy with the can, even harmless people like charity nuns and Santa Claus.  Occasional creepy and overly-detailed drawings sell how demented the situation has rendered her.  It’s amusing to see Candie react this much over a can, but at the same time, it does feel like things are going a little too far despite her needing to lighten up.  Maybe the sting wouldn’t seem so apparent if it wasn’t implied that Candie remains this paranoid for about a year.  Eventually she sees sense and accepts the can as a baby bundle while looking pale and ready to snap. This can be seen as a funny conclusion or a disturbing end showing that Slappy destroyed her neighbor’s mental state. 
The good and the bad of Slappy’s actions make it difficult to determine how strong this cartoon is. However, it’s still entertaining and makes a point to teach people not fuss over little details and has the benefit of coming from personal experience. Enough elements work to make for a good watch.
A-
Jockey for Position
Pinky and the Brain cartoons may be of the formulaic kind, but each one stands out from the other.  They always feel fresh and new while also offering distinctive world domination schemes. 
In the case of this cartoon, the focus is not on the scheme itself, but on how the mice attempt to make the money they need.  The plan is to effect the Earth’s rotation to fling all of the population off while they duct tape themselves to a tree.  How they can possibly get the money opens to just about any path imaginable, and here it's by competing in the well-known national horse race, the Kentucky Derby. 
One impressive thing about this approach is how it shows that Brain has the steps all planned out to get the prize money.  This is noteworthy because when looking back on most cartoons starring these characters, the failures of most of the plans amount to Brain overlooking a crucial detail. You'd be surprised how often failures aren't caused by Pinky's lack of intelligence like most would expect.  Brain carefully observes the horses to deduce which one is the fastest and knows that very horse gives the best performance since as a jockey, he doesn’t weigh much.  This means little to no weight can hold the horse back.  Heck, even the other members of the Derby see him as the perfect jockey, so it shows that Brain truly did something right with this plan.  It gives an impression that things could be different with this scheme. 
The one potential thing that could stand in the way of success is unexpected, thus working in an absurd yet effectively funny plot twist.  One of the horses named Phar Fignewton doesn’t look as strong, fast, or as smart as the other horses.  In fact, she’s big-eyed and in her own little world.  For these reasons, she not only gets along well with Pinky, but they both fall for each other at first sight.  You’d think that Pinky developing a crush on a horse would only be taken as a one-off joke, but the cartoon doesn’t leave such an outrageously compellingly concept stand on the side. 
The actual Kentucky Derby the cartoon was building up to is an exciting set piece with an atmosphere that effortlessly sucks you into the action.  All the horses racing with a triumphant orchestration that breaks to a more lax piece to depict how slow Phar Fignewton is compared to the others, especially Brain’s horse.  Brain’s in the clear to win, but that’s when the earlier crush becomes relevant. Pinky falls onto the racetrack and is unable to get out of the way of the oncoming horses.  His love for Phar Fignewton is returned when his situation inspires her to run like never before and rescue him, surprising everyone by actually winning the Derby.  This has got to be one of the most effective world domination failures most wouldn’t see coming.  If that’s not enough, Pinky’s love for the horse remains relevant through getting brought up a few times in other cartoons here and in the Pinky and the Brain spinoff series.  However, Phar Fignewton herself only has one other major appearance after this.  It’s ridiculous, yet impressive for how it makes itself relevant. 
Along with a classy setting, a well-utilized cast, and exciting staging, the plain may fail (again) but this cartoon is one of Pinky and the Brain’s most winning entries.
A+
Cartoon Ranking
  1. Jockey For Position
  2. Sir Yaksalot
  3. Potty Emergency
  4. Babblin’ Bijou
  5. I Got Yer Can
Miscellaneous Ranking
  1. Testimonials
  2. You Risk Your Life
The next Animaniacs review puts the Warners in the story of Moby Dick, Mindy and Buttons in Prehistoric times, and Chicken Boo in a literal spaghetti western.
Next time on MC Toon Reviews is a Star vs the Forces of Evil episode, "Face the Music."
If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.


Thursday, September 27, 2018

'Toon Reviews 19: OK K.O.! Let's Be Heroes Season 1 Episode 33: The Power is Yours


If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on Twitter. Now on with today's review:
The Power is Yours
Back in the day, there was an animated series covering the importance of taking care of the environment called Captain Planet.  It was about a group of teens using various powers to summon an eco-friendly superhero to fight against threats to Earth.  There would also be a PSA on environmental topics afterwards.  I’ve never seen it, but from a few short clips, it seems decent aesthetic-wise with good intentions, but doesn’t feel like a must-watch show.  This cartoon pays tribute to this old show and makes a point that even long after the end of the show, environmental problems still persist even if some say they don't exist. 
The conflict gets going when one of the original Captain Planet villains, Dr. Blight, teams up with Lord Boxman showing interest in how much his company pollutes.  Since Lord Boxman needs money for Boxmore, he agrees to go through with his guest’s pollution plan.  Also, given that he never even noticed how much he pollutes like most people would, it’s humorous to see someone do it intentionally.  It’s especially funny when Dr. Blight plans to destroy the world, and Lord Boxman calls out the obvious hole in her plan that they, the bad guys, also live on the world.  She brushes the flacy off though. 
The pollution scenes from the excessive smog, hot temperatures in winter, and huge puddles from the melting ice caps work entertainment wise for exaggerating real problems.  However, it’s concerning that even though these problems are in front of everyone, except for K.O., this cartoon is another example of people being too dense about matters.  Out of this denseness though comes even more of a tribute to Captain Planet.  One of the original Planeteers, Kwame, shows up disturbed by the bad effects of climate change.  There’s also a clever allusion to how long the show has ended with the other Planeteers giving up on their quest.  This means new Planeteers exclusive to this show is formed via power rings Kwame saved.
Just like in the old show, they summon the titular Captain Planet.  From there, the cartoon essentially becomes a Captain Planet episode going beat-for-beat in solving environmental issues.  That said, Captain Planet does stand out in the show’s simple style and even having his own Pow card.  Captain Planet stops the pollution from spreading while making corny one liners.  When Lord Boxman steps in, he easily defeats Captain Planet through hitting him with enough pollution. The new Planeteers then have to take care of things on their own, which does present an added challenge when their usual tensions make it hard to do the job. 

There are unfortunate implications when they only stop fighting when K.O. uses his heart power, manipulating them to get along instead of them doing so on their own.  Then, through more identical mimics of the old show, the group uses realistic environmental solutions to bring Captain Planet back to finish the job.
After that is a very blunt PSA about how climate change still persists which is true, but doesn’t have much of an edge to make it fit in this show.  It does get interesting when the cartoon ends with a sudden shift to the original Captain Planet animation style. K.O. and his friends are more realistically drawn as they present alternate energy solutions which is honestly pretty cool to see. 
This cartoon may be a little too on the nose with its tribute, but it’s overall fun for it to portray a well-known environmental show in its style. I certainly can’t fault the realistic message it spreads, preachy as it may be at times.  It’s not the best thing from the show, but it lets its strengths combine to give it enough merit to check out.
B
The Ranking
  1. Face Your Fears
  2. You Have to Care
  3. T.K.O.
  4. No More Pow Cards
  5. Legends of Mr. Gar
  6. We’ve Got Pests
  7. I Am Dendy
  8. Let’s Have a Stakeout
  9. You Get Me
  10. Let’s Be Heroes
  11. You’re Everybody’s Sidekick
  12. K.O.’s Video Channel
  13. Jethro’s All Yours
  14. Know Your Mom
  15. Everybody Likes Rad?
  16. A Hero’s Fate
  17. Plaza Prom
  18. We’re Captured
  19. My Dad Can Beat up Your Dad
  20. Let’s Be Friends
  21. We Messed Up
  22. Presenting Joe Cuppa
  23. Sibling Rivalry
  24. Second First Date
  25. Stop Attacking the Plaza
  26. Just Be a Pebble
  27. The Power is Yours
  28. Do You Have Any More in the Back?
  29. You’re Level 100
  30. You Are Rad
  31. We’ve Got Fleas
  32. Rad Likes Robots
  33. One Last Score
The next OK K.O. review looks into the pasts of Carol and Mr. Gar when they were part of P.O.I.N.T. as Silver Spark and El-Bow.
Next time on MC Toon Reviews is Episode 27 of Animaniacs.
If you would like to check out other OK K.O.! reviews on this blog, click here for the guide made especially for them.

Wednesday, September 26, 2018

'Toon Reviews 22: Animaniacs Vol 2 Part 1: Testimonials/Babblin' Bijou/Potty Emergency/Sir Yaksalot

If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on Twitter. Now on with today's review:


My favorite animated TV series of all time is back in the review spotlight, so here comes its second DVD volume:
Animaniacs (Volume 2)



Basic Premise

Bottom image drawn by yours truly.
When an animated series ends up being your favorite, it’s no surprise that you’ll want more of it.  I honestly have taken my time to return to discussing Animaniacs, my personal favorite.  After nearly five months, it feels like I’ve reviewed enough of other animated shows to return to it.  Never have I seen any other animated series with a bigger respect for the medium than this.  It's loaded with ingenious comedy, dynamic characters with witty dialog, and great integration of music, the one element that’s the best accompaniment to animation.  Being run by a talented man of media, Steven Spielberg, and featuring many talented writers, animators, and voice actors is certainly a plus.  I honestly have not grown up with the series and only really latched onto it when I decided to get the DVDs based on word of mouth.  This doesn’t take anything away from my tie with this series.  Whenever I think of what makes great animated material, this will always be one of the biggest sources of inspiration, especially for TV shows.  Speaking of the DVDs, because the individual seasons for the show are so long, they’re the best way for me to arrange reviews of this series. That’s what I’m turning to with this set of reviews for the series.


With Volume 2, this DVD is going to follow up on the greatness of Volume 1.  Expect many great works from the cartoon character masterminds the Warner trio Yakko, Wakko, and Dot.  There will also be plenty of fun with retired yet knowledgeable star Slappy Squirrel, the world-dominating Pinky and the Brain, the melodramatic cat and dog Rita and Runt, and more.  Along with occasional parody openers and songs, there are also going to be a few things to make this second volume stand out.  Quite a few episodes are going to have their own mini-story or bumpers depicting a theme going on between segments. Each part of them will be reviewed as a miscellaneous segment.  Also, adding onto the charm, holiday-themed episodes start showing up, so reviewing them will be great to observe how well the show interprets those special times of year.  Not to mention, just like last time, cartoons, songs, and miscellaneous segments will be ranked separately. Bridging segments that show up to pad episodes out will not be included since each one is fun and entertaining for the exact same reasons, leaving little to no review potential. 
With all this said, let’s not waste any more time and see how great Animaniacs Volume 2 truly is.  We’ll start by popping in the first disc, sit back and enjoy (here’s the show’s name-y) Animaniacs!  Those are the facts!


Episode 26



Testimonials (A)

This is the start of a trend in which episodes have their own exclusive set of bumpers between segments covering a certain topic. We’ll see a lot of these episodes in this particular DVD volume. 
These bumpers are particularly interesting, tying into the old school nature of the Warners. After all, they were created and discovered during the Golden Age of Hollywood.  These cartoon stars are treated with the dignity and respect normally reserved for live actors of the day. Human actors appear to talk about their early days in the entertainment business.  The talks about them are given an all-out documentary treatment with interviews.  They take place against a black background, there's no music at all, and funny still scenes of the Warners connect to the stories the actors recall. 
Speaking of the stories, even though we only hear about what the Warners got up to and see a few screenshots, they feel perfectly in character.  This one in particular is a recount of their days in vaudeville with the featured actor and a few others. When a time the Warners “helped” Milton Berle with his comedy act through anvils on the head and mocking him comes up, that’s all you need to see of the kids around Hollywood elite.  It’s a creative way to look into the Warners’ past, get something hilarious from them even if it’s not in full animation, and get to know comedy actors who actually like them. As the bumpers will point out though, needless to say, Milton Berle isn’t one of them. 
This is only the first instance of the Warners’ creative genius though which will be seen all through the rest of these Testimonials, as well as the featured cartoons.

Babblin’ Bijou

Since this episode’s highlight is a set of bumpers celebrating the greatness of the Warners, it’s fitting that each of the cartoons featured are fully dedicated to them. Each one gives a certain sibling the most focus.  Dot gets the starring role in the first cartoon which has the distinction of the first period-piece Warners cartoon. 
In the “Newsreel of the Stars” that precedes the theme song in a number of episodes, the Warners were said to have starred in cartoons “which made absolutely no sense.”  They all ended up locked in the studio vaults.  However, the opening to this cartoon says it was chosen to be let out of the vault along with historical context of being made when Hollywood musicals were all the rage.  That helps give some old timey authenticity to what we see, and for the most part, the actual cartoon pays great tribute to the old days of cinema.  
It’s a black-and-white and dialog-free work where every movement and expression is in time with the featured music track.  This is appropriate since most cartoons from the period, the 1930s, tended to have a huge emphasis on music, more so than cartoons today.  As for the plot, it’s a basic one of Dot going crazy over an actor she sees in a movie, annoying the patrons.  For how authentic to the period this cartoon is, it’s surprising that it doesn’t really go all out in terms of zaniness considering who’s starring in it.  What we see is very easy to follow with very little gags being off-the-wall, and that’s especially apparent with everyone annoyed by Dot’s flirting, even Yakko and Wakko.  As a result, when the usher kicks her and her brothers out, it feels all too appropriate.  On the other hand, since getting kicked out is a bit too extreme for simply being annoying, it’s entertaining enough to watch the Warners scheme their way back into the theater.
This is where things start getting a bit more zany.  It kind of begs the question why Yakko and Wakko even admonished Dot’s zaniness in the first place if they were just going to go along with it anyway.  The visual gags feel much more up to the standard of the characters as they all show what animation can do in some way.  They crank Wakko’s neck to act as a ladder to a fire escape. They suddenly appear sailing in a popcorn machine like they’re on a river. To finish things off, they get themselves in the actual movie where they openly flirt with the crushes they’ve been watching.  That said, the audience still being annoyed by their antics and taking it out on the usher continues to take away from the zaniness for being too much of a realistic response.  Maybe if they actually enjoyed what the kids were doing in the movie, it would be a better fit. 
There are more period-piece cartoons of the Warners to come though, some of which offering an even stronger old-school feel.  As for this one, while the authenticity isn’t in full force, it’s present enough to make for an interesting viewing experience and solid tribute to classic animation. 

A-

Testimonials (B)

This bumper continues what the first set of testimonials started through explaining more of the Warners’ early days of stardom with the exact same documentary setup. 
The featured actress’ recounts bring up even more hilarious tidbits of the Warners' antics back in the day.  These involve frequently mingling with members of the Ziegfeld Follies including literally painting the town red.  The stories are humorous enough, but the comedy is added upon by the senility of actress mentioning Milton Berle not liking the Warners from earlier.  It makes what we see stand out from the typical documentary by bringing in a comedic edge from both what’s being discussed and the actors telling them. 
There’s one more Testimonial to discuss, but for now, let’s look into another cartoon:

Potty Emergency

When it comes to cartoons, they can bring out comedy in things most wouldn’t normally feel comfortable talking about.  One of these things is needing to go to the bathroom which from my experience, isn’t always pulled off well. There’s more emphasis on saying a featured character needs to go as if just the urge to go is the joke. I feel this leaves less laughs and more awkwardness and disgust.  This show is no stranger to bathroom humor, usually working it in subtly.  In this case, the bathroom stuff is much less subtle, yet still works on a comedic level. 
Wakko is the star here and desperately needing to use the bathroom is fitting for his character since he’s always indulging himself.  His conflict starts when he drinks a lot while watching a movie and needs to potty. 
Through it all, his cartoon aesthetic absolutely shines as his urge to potty is exaggerated.  These exaggerations can only exist in a cartoon and feel like an accurate representation for when the urge to go is strong.  They mostly consist of one hilarious facial expression after another selling the power of Wakko’s predicament more than words. 
Even the dialog that says how Wakko feels we do get is funny, matching every extreme strained look on the face and body language.  It especially works well since the lines don’t go into detail. 
Because of this, whenever he runs into relatable challenges to his relief like the men’s room out of order, not having enough money to buy something from a store to use its bathroom, and seeing things that remind him of needing to potty, there’s something to laugh at all throughout.  My personal favorite bit is when Wakko finds a gas station restroom to use which hasn’t been cleaned in a year. When he turns on the light, it cuts to an exterior shot while he screams off-screen.  You think it’s because he saw something horrifying, but then he runs out and bluntly states that it was because the bathroom’s disgusting.  It works successfully as an over-the-top reaction that’s also surprisingly relatable when it comes to public restrooms. 
Also, when Wakko turns out to have his own potty in his gag bag, there’s more relatable humor. Something always pops up in front of him when he’s about to use it, even when running all the way to the Himalayas.  They’re funny ways of showing how discomforting to go when people are watching. 
That said, the comedy falls flat at times. An example is Wakko going to different places asking if he can use their restrooms and everyone emphatically refusing as if they think it’s ok to not help him.  Plus, a few times Wakko is reminded of needing to potty can get disturbing particularly as he closely watches a kid pour lemonade. 
Thankfully, Wakko’s comedy brings a satisfying conclusion. He nonchalantly enters the movie he was watching in the beginning, and potties there regardless of how he’s interfering with the villain’s scheme to eat the leading female’s brain.  It’s even capped off by a surprisingly restrained reaction of disgust from such a dastardly alien character. 
Thanks to the use of such a hilarious character like Wakko, this bathroom-themed cartoon is a perfect example of how to get great entertainment out of the less pleasing parts of life.

A

Testimonials (C)

The last of these testimonials brings all the comedic stories from the previous two bumpers full circle.
The featured actor discusses how the Warners finally got discovered and started making their own cartoons.  There’s also interesting tidbits to their established background.  They're mostly about how they ended up in the water tower after causing havoc with the studio not knowing what to do with them. The actor even acknowledges that they’re now out.  Along with the usual appeal of the documentary setup and more solid comedy from the stories.  To finish it off the actor once again brings up how Milton Berle didn’t like the Warners.

These bumpers have a special edge to interviews whose setup looks common, but they have much more to them entertainment-wise.  Even when the Warners are discussed doing things instead of actually seen doing them in full motion, they’re antics are still hilarious.  Even the interviewees have a lot to enjoy from the convincing aged performances in their voices, and frequently saying the same random tidbit while talking about the kids.  It’s a creative way to bring the characters’ backstories, and is a great companion to their full-on backstory we’ll get when this show reaches the syndication limit.  We have to wait until I discuss the Volume 3 DVD though.

A+

Sir Yaksalot

If there’s one thing that’s always sure to make for a winning cartoon staring the Warners, it’s when it has a comedic take on the usual adventure plot. 
This time, the cartoon takes place in Camelot during medieval times and within the first minute or so, the comedic approach to the setup is clear.  There's villagers singing merrily. King Arthur’s Round Table is an actual round table. King Arthur has a hilarious running trope of talking normally before breaking to shout something for no reason at all.  All these elements endlessly strong comedy from all fronts.  It’s a refreshing break from the usual mystical and restrained tone usually associated with the setting. 
This is even more apparent when the kingdom is put into a crisis by a dragon attack.  It’s true that dragons are common for these types of settings, but what makes it stand on its own is the approach.  If something like this were to happen in real life, most people would respond with seriousness, using strategy to stop it.  Approaching the situation like that in a work of fiction would be fine, but wouldn’t necessarily make it interesting or different from the norm.  Enter this cartoon where seriousness is very low and every fearful reaction to the dragon is exaggerated for laughs.  It's helped by strong vocal performances and comedic animation of everyone running around like lunatics. 
As for the Warners, their presence adds to the comedic approach when they’re summoned as brave and noble knights to stop it.  Their style of comedy is on full display where they continue their trend of acting like they’re not the right people for the job and even outright saying it at one point.  Nevertheless, they prove to be resourceful through being wacky and ridiculous.  Their introduction to King Arthur brings uncertainty to their reliability as they frequently mess with him and joke around as if the dragon isn’t a big deal.  Yakko especially steals the show bringing on all the strongest comedic moments from stalling facing the dragon.  He shows an elaborate war room straight out of a badly-dubbed Japanese monster movie, engages King Arthur in an impromptu square dance, and has an unseen animator draw an anvil that falls on anyone who keeps yelling “dragon.”  Admittedly, these introductory gags go on a bit too long and can make you wish the Warners would just get to the point.  While the issue is in place, the scenes are so funny it’s not a big issue. 
The Warners’ actual confrontation with the dragon is also a huge point of interest. It's done not through a physical battle, but through them doing what they do best; being funny.  As Yakko easily wins the dragon over with bad puns, the dragon lets out constant puffs of fire that light a stick of dynamite. This blows him up just as the Warners exit resulting in an ingenious cameo from the characters behind the dragon, Pinky and the Brain. 
After the cartoon wraps up with callbacks to its frequently used jokes, you feel greatly entertained by what just occurred.  Everything from the strong character moments and genius jokes makes for a great example of how comedy can make for a strong mark of distinction in storytelling.

A


Cartoon Ranking
  1. Sir Yaksalot
  2. Potty Emergency
  3. Babblin’ Bijou

Miscellaneous Ranking
  1. Testimonials

The next Animaniacs review features Yakko hosing a parody of a game show hosted by his inspiration, Groucho Marx, Slappy tormenting an annoying neighbor with a can based on a personal experience from her voice actor, and Pinky and the Brain attending a horse race where Pinky falls in love with one of the horses.
Next time on MC Toon Reviews is the OK K.O.! Let's Be Heroes and Captain Planet crossover, "The Power is Yours."
If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.