Showing posts with label Marita. Show all posts
Showing posts with label Marita. Show all posts

Tuesday, April 21, 2020

Flavio Commercials / Papers for Papa / Amazing Gladiators / Pinky and the Ralph - (Animaniacs Vol 4 Part 13) - 'Toon Reviews 39

If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on TwitterNow on with today's review:
Episode 88

Flavio Commercial #1: Choco-Dot Candies
Throughout this episode is an interesting set of commercial spoofs, to say the least.  The character they focus on is, out of the entire cast, Flavio of the Hip Hippos.  The joke is the very shallow one that he’s fat and is showing it off to viewing audiences.  This would normally be very tasteless and fall flat easily, but this setup works thanks to the staging.  

As the commercial shows off the obesity of Flavio, it showcases it as something people would want to imitate as if it would make them look attractive.  In other words, it’s a disgusting image acting like something people can find appeal in.  What’s all this for?  It’s a box of little chocolate candies, the very thing that can fatten someone up, though it’s obviously an exaggeration that they’d easily get as fat as a hippo.  

This is only the beginning of a trend of something so weird yet oddly humorous to some extent.
Flavio Commercial #2: Soak Cola
Right after the theme song is another commercial with Flavio.  It once again runs with the idea of a disgusting body type staged as something genuinely attractive.  

There’s an office of women who immediately stop what they’re doing to watch him at a construction site.  It’s probably just him on his break or something, but all Flavio does is drink an entire bottle of soda.  It’s not exactly pleasing to watch the excruciating details of his gulps, but I do find a lot of humor in how the women go crazy over his drinking.  

In the end, all this commercial really does is advertise the drink, but I suppose attractive figures are a leading cause in getting people to buy things in real life.  That said, the joke is that the attractive figure is a really fat hippo.

Papers for Papa
It’s been a while since the Warners have interacted with a historical figure, so this cartoon can be seen as a bit of a return to some of the roots of the series’ glory days.  

The figure here is one of the more modern ones, the relatively known writer, Ernest Hemmingway living in the Florida Keys.  He’s portrayed as an ultimate superhuman walking through the ocean while also trying to make it as a writer, but he’s currently stuck with writer’s block.  That’s a solid fit for the familiar circumstance that these people known for big accomplishments were still human citizens like all of us.  Hemmingway’s writer’s block is so huge, he ends up breaking from the process completely to do something random. I seriously must question what making a paper clip into a rabbit that leads to a Pinky and the Brain cameo, and watching a parody of Lamb Chop has to do with anything.  

The real point of Hemmingway’s early scenes is to bring him to promise never to put pen to paper again.  This promise is a setup for the Warners’ role that also ties into how these historical figure cartoons work.  They come in with a completely random role that the featured figure gets roped into which solves their problem.  They’re office supply delivery people with a big supply of paper for Hemmingway.  A few humorous interactions where they’re quick to expose him making them think he’s not home get him annoyed enough to sign delivery papers so they’ll leave.  With the promise of never to put pen to paper in mind, he can’t go through with that, leaving the Warners to use their antics to fulfill their job and get things over with.  

From there the cartoon gets exciting as it turns into a literal chase around the world, playing to Hemmingway’s unique ways of travelling seen at the start.  With the versatility of animation on their side, the Warners are able to follow him.  Highlights of the chase include ending up in various locations instantaneously.  Everyone’s out on the sea fighting with fish ending with a funny sequence of photos leading to them going from being frustrated with each other to laughing as friends.  Then Hemmingway remembers why he’s running, and they end up in a bull fight in Spain and Yakko uses the delivery paper as a bull-fighting flag Hemmingway charges at.  He also gets a few surprise visits from the Warners when hiding in war trenches, and climbing a mountain, classic examples of these characters comedic skills.  

Then he suddenly arrives back home, and the Warners showing up again makes him realize he just can’t escape them, and he goes back on his promise.  Somehow though, marking a period after his name grants him a lot of ideas for his next work all of which relating to every element of the chase.  Now, I personally am familiar with him writing phrases like fighting with fish and running with bulls, but I’m not so sure if he wrote anything about trenches or climbing mountains.  It is at least a believable way of coming up with ideas when drawing from experience, even if more emphasis is on periods.  As for the Warners, they get their paper back with a cameo of Ralph scaring Hemmingway in a getup of Gertrude Stein in a harem outfit which they referenced earlier.  That’s a fine example of solving their problems with randomness and fourth wall breaking.  

Overall, this may not be the funniest or most memorable historical figure interaction, but it’s not without solid excitement, humor, and relatability.
B+
Flavio Commercial #3
Between segments is one last Flavio commercial where his fat is all there is too it.  A woman’s voice asks him if he works out, he unbuttons a shirt, and his fat completely exposes itself.  The only response he gets for this is a very believable shriek.  From the last two commercials and the first few moments of this one, you’d be in the right to think his fat would be seen as something attractive.  The most appropriate reaction is enough to catch you off guard, but since the setup is ridiculous already, it does so in a good way in my way of thinking.

These commercials take a bland trait of one of the Hip Hippos, and make something humorous of them from mostly treating Flavio’s obesity like something attractive.  It’s a fresh thing done with the characters that probably could have made them better liked.  Then again, it’s for the best that things like this were done for one episode since there’s really so much fatness people can take.  Also, all these commercials with Flavio lead to a type of starring role not explored on the show for a very long time.
A-

Amazing Gladiators

For the first time since Episode 42, the Hip Hippos are the stars of a cartoon.  This gap wasn’t exactly a point of concern for many since they really are some of the weaker characters in the cast.  There’s really not a lot that can be done with just a nice married hippo couple into modern day trends.  Truth be told, their cartoons fall very flat entertainment-wise for featuring the characters as observers of what goes on around them and being oblivious to problems they cause.  Their only true entertainment is when they star alongside more dynamic characters or work off some sort of a gimmick.  Thankfully, this cartoon is one of their better performances, but mostly because of where everything takes place.  

As a gift for Marita, Flavio appeases her interests by getting them both spots on an elaborate game show parodying American Gladiators called Amazing Gladiators.  That by itself isn’t too interesting or out of the norm from their dynamic, but getting there is smartly not the main focus of the cartoon.  The real focus is on the game itself as it should be.  All its different parts are marked by vibrant title cards and a very enthusiastic announcer.  There’s also solid interactions between the friendly and hospitable Hip Hippos and their uptight competitive opponents, the Petersons.  It works for the Hippos’ bland nice personalities to have them work off people who are essentially their total opposites.  They remain unmoved by the Petersons’ rude remarks, but given that these guys are actually jerks, this mindset isn’t as problematic as their usual obliviousness.  In fact, it’s really how smart people should deal with overly brash and egotistical people.  

The challenges themselves are, unsurprisingly, where the cartoon really gets great.  There’s a lot of creativity in structure from elaborate stunts as moving around in giant glass balls, or things as simple as putting on tight jeans.  That said, they mostly bring out the same shallow joke that the hippos are really fat, as their weight brings them both success and failure in the challenges.  One thing that’s worth noting is that the challenges that Flavio takes part in are what brings in the victories while those featuring Marita bring the losses.  It’s a strong suggestion that Marita is the true ditzy one in this relationship only there for the glamour and unable to put up a strong fight.  

The Hippos are eventually set up to win, but they and the Petersons tie.  To break the tie there’s a challenge of both families swimming through a pool of beans and wieners.  There’s tension for the Petersons who worry if they can eat more of it than the Hippos.  Then, for some reason, the Hippos don’t even try and stand at the starting line as the Petersons win the competition.  The catch is that they look sick and far against their fit image from all they ate.  I guess that justifies the Hippos’ decision.  Then, for the sake of parodying more shows, the cartoon ends with a thought of the Hippos competing on a Baywatch parody.  

It may put too much fate in the Hip Hippo’s weight to be truly great and some plot decisions may not be the best.  Still, with an exciting atmosphere and solid characters for them to work off of, I say this is one of Flavio and Marita’s better solo starring roles.
B
Pinky and the Ralph
Completing this episode’s feel of an actual TV broadcast is this ending consisting of a fake bumper for a fake new TV series.  

As Pinky and the Brain have had their own spinoff for a while at this point, the show now goes after it as something to be parodied.  Instead of Pinky and Brain, the featured characters are Pinky and Ralph the Guard humorously trying to fit into the mouse cage.  Even if it’s just a joke, it’s easy to understand why this wouldn’t make for a very compelling show.  All Pinky and Ralph do is ask what they want to do, and that’s it.  It’s the same phrase over and over and it’s not all that funny, simply building on the fact that both characters are unintelligent.  It’s likable enough since they enjoy each other’s company and get along well, but it’s still dull and goes nowhere for my taste.  

That may be the joke, but to me it’s not one very funny.
C-
Cartoon Ranking
1.      This Pun for Hire
2.      Wakko’s 2-Note Song
3.      Go Fish
4.      From Burbank with Love
5.      A Very, Very, Very, Very Special Show
6.      Valuable Lesson
7.      The Sound of Warners
8.      Night of the Living Buttons
9.      Dot’s Entertainment
10.  Boo Happens
11.  Buttons in Ows
12.  Cutie and the Beast
13.  Star Truck
14.  Boids on the Hood
15.  Our Final Space Cartoon We Promise
16.  Yabba Dabba Boo
17.  The Party
18.  The Girl with the Googily Goop
19.  Jokahontas
20.  Gimme the Works
21.  Papers for Papa
22.  My Mother the Squirrel
23.  One Flew Over the Cuckoo Clock
24.  Amazing Gladiators
25.  Soda Jerk
26.  Hercules Unwound
27.  Belly Button Blues
28.  Oh Say Can You See
29.  Soccer Coach Slappy
30.  Anchors A-Warners
Song Ranking
1.      The Ballad of Magellan
2.      Hello Nurse
3.      Noel
4.      The Big Wrap Party Tonight
5.      When You’re Traveling from Nantucket
6.      Panama Canal
7.      Multiplication
Miscellaneous Ranking
1.      Gunga Dot
2.      Mighty Wakko at the Bat
3.      End Credits
4.      Rugrats Parody
5.      The 12 Days of Christmas
6.      Flavio Commercials
7.      The Return of the Great Wakkorotti
8.      Pinky and the Ralph


Be sure to stay tuned for the review of the next episode where Wakko stars in a mixed amount of short films, there's a one-shot bird romance, and Chicken Boo gets his own network.

If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.

Monday, November 12, 2018

Animator's Alley/Can't Buy a Thrill/Hollywoodchuck (Animaniacs Vol 2 Part 17) - 'Toon Reviews 22


If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on Twitter. Now on with today's review:
Episode 42
Animator’s Alley (A)

This may be mainly a comedy show, but given its clear respect for animation, segments genuinely teaching about its history is a great idea. 
At first, these bumpers seem to go in that direction as the Warners host a talk show about animation history.  Their guest is a really old man who was part of the first Warner Bros. cartoons, Cappy Cap Barnhouse.  However, instead of teaching history, the whole point of these bumpers turns out to be the Warners being bored by an old man rambling on.  The moment Cappy says something about the studio making pies before making cartoons is a huge disappointment since from my research, I can confirm this isn’t true.  If he told actual animation history, there’d be much more weight and appeal. 
There could still be decent comedy from the Warners being bored out of their minds.  We do get one legit animation factoid when Cappy brings up actual names like Harman, Ising, and Freling as well as their first characters being Bosko and Honey.  However, that’s the only time the history is genuine.  Everything else we’ll get in these bumpers turns out to be complete nonsense thus justifying the Warners not paying attention. 
By the way, being animated by the least appealing studio, Freelance, does not work in these bumpers’ favor at all.
Animator’s Alley (B)


This featured image is a huge example of how visually unappealing these bumpers are.  To be fair, while Freelance’s style doesn’t really work for the Warners, it does feel appropriate for old people like Cappy. 
Anyway, they continue right after the theme song and prove these bumpers as even more of a rip-off.  Cappy recounts the creation of a finicky tapeworm and a bunch of fish cartoons.  Not only can you tell this isn’t true by simply researching, but it’s easy to see that no one would see appeal in such characters.  Well, fish have a lot of entertainment potential, I’ll give Cappy that. 
At least the Warners give the right attitude towards this fake history.  Even through their guest's recounts, they have what it takes to keep them entertained.  They pull out a TV and bring on the first cartoon…starring the Hip Hippos.
Can’t Buy a Thrill

I can’t really blame most people for claiming the Hip Hippos, Flavio and Marita, as their least favorite characters on the show.  I don’t hate them, but nothing about them stands out as truly entertaining characters if I can be honest.  They’re a simple happy hippo couple who live their lives in the city, and that’s just about it.  They don’t add any creative edge to what they do, and their only comedic gimmick is being oblivious to the pain their huge weight causes others.  Right there, you can see how out of place they are in this series. 
This cartoon does attempt to make them more exciting as they decide to try different dangerous activities.  Sadly, even with the promise for fun, the cartoon barely delivers.  No matter what thrill Flavio and Marita try, no activity leaves any significant impact.  Whether they’re bungie-jumping, running with the bulls, or diving into shark-infested water, all there is to them is a repeated gag, a flash-and-pan gag, or nothing at all.  The hippos just do a bunch of things and go right back to where they were at the start of the cartoon.  Any potential for excitement or comedy falls flat before it can reach its full potential, making the experience really dull. 
At best, there’s a slight attempt at comedy from the zoologist studying them, Gina Embryo.  Like in an earlier Hip Hippos cartoon, she follows the hippos around to keep them safe, but constantly gets herself hurt in the process.  There are a few funny pain gags with her such as an elaborate fall from a building, getting comically flattened, or trying and failing to ward off bulls.  Despite some mild humor, it gets tiresome that Gina is only here for getting hurt over being over protective.  Plus, her role is really disposable.  Flavio and Marita are completely oblivious to her obvious presence, and they’re perfectly fine no matter what they do, so there’s no reason for her to follow them at all. 
As you can tell, this cartoon is both very problematic and boring, though it’s still harmless and watchable.  Along with a few funny gags and lines, there’s a sense of warmth and endearment from the Hippos themselves, even if they’re not very interesting.  They’re not bad, but the series proves that they can’t really hold a cartoon on their own, and are much more enjoyable alongside other characters.  Gina simply isn’t one of them though and that makes the fact that this cartoon is her final appearance all the more appropriate.  Things look up for the Hip Hippos in their next starring roles though, but they won’t come for a long time.
D+

Animator’s Alley (C)



Once again, we have Cappy rambling about animation history that doesn’t actually exist.  Seriously, how can anyone buy that there were cartoons about a bunion and a sickly lemur? 
Fortunately, it’s made entertaining by how the Warners’ boredom is depicted as they melt into puddles of ink and paint.  This is the kind of stuff that benefits from Freelance’s animation style.  They also do the wise thing and run away from the talk show when they have the chance.  I bet you wish you could easily do that if you had to sit through something so boring and tedious.
Hollywoodchuck
This cartoon stars a character who’s technically a one-off since this is his only starring role, though he has made sparse appearances afterwards as the butt of jokes.  With the plot of his introductory role, it’s easy to see why this is the case. 
His name is Charlton Woodchuck and all throughout the cartoon he’s not very friendly or pleasant.  He’s going to Hollywood thinking he has a chance to make it big.  It’s a very simple scenario and it’s made flimsy by Charlton’s attitude.  He’s completely full of himself and doesn’t hesitate to belittle anyone he meets.  Not to mention, he frequently has people write down their names so that he’ll know not to like them when he’s famous. 
The thing is, it isn’t convincing at all that Charlton is actor material at all.  He’s small, scrappy, and has a very shrill voice.  He also has an immense lack of hard work behind him, thinking he can get into Hollywood by reciting the old “how much wood could a woodchuck chuck” tongue twister.  I’m no expert on show business, but I’d imagine you have to do a lot better than that to get into Hollywood.  In fact, the only reason Charlton gets the acting job at all is because the director wants a more realistic chipmunk.  All the other applicants have far more apparent acting experience than Charlton who can barely recite the tongue twister.  Basically, we’re following an unlikable protagonist in this cartoon.  Charlton is especially bad for being a character who acts like the best yet has no talent to show for himself.  Those are some of the most annoying characters to put up with. 
For that reason, the ensuing pain gags feel kind of appropriate.  In the role of a common chipmunk, Charlton is assigned to not talk, but do whatever the narrator says.  What follows is nothing but Charlton getting maimed by every animal in a forest.  In addition to constantly getting flung into a bear who only exists to hurt him, he’s also pecked by a woodpecker, swallowed by a snake, and stung by bees.  The wholesome background narration as Charlton gets hurt is the bulk of the comedy.  It presents the story as something sweet and innocent for children everywhere while what’s seen is very sadistic and painful.  Dictating Charlton’s thoughts and reasons for the animals to hurt him adds to the humor. 
However, the narration is really where any bit of humor lies.  On its own, there isn’t anything funny about Charlton getting hurt from the images or his reactions especially as they continue when he asks to stop.  Also, even if he does deserve to be brought down a peg, what he endures does go on too long and isn’t proportionate to his bad attitude. 
As for how it ends, it honestly doesn’t really do that.  It kind of stops when Charlton says he quits and suddenly he’s back home.  His ego is still as big as ever with one last funny bit of holding a stack of names of people he doesn’t like.  He didn’t learn a thing, but that’s what justifies what his following appearances put him through, even if they also won’t come for a while. 
The pain gags go on a bit too long, but what makes them justifiable is the unlikable protagonist.  It’s not the best or funniest work from the show, but it has merit, particularly in showing that those with bad attitudes usually don’t prosper.
C
 
Animator’s Alley (D)

Closing off the bumpers is one last bit of senility where Cappy, who barely stays awake, brings up the bogus factoid about Warner Bros. making pies before falling asleep again.  However, his audience is already gone and he’s talking to no one.  This adds to the disappointment that you don’t get any real animation history like the title promises, but it’s a pretty funny scene to go out on.
If you’re looking for humor from how the Warners approach a boring talk, these bumpers are decent for that, albeit not that hilarious.  However, even if it was the point, they don’t live up to the potential of a talk show with an old animator with the history explained being nonexistent.  It could still be insightful while still being funny with the Warners being bored, but Cappy’s talk instead goes for jokes about what old people stereotypically think of.  What Cappy brings up is kind of funny, but when the title suggests animation history, it’s hard not to feel ripped off when you don’t get any.  The material is fine as it is, but it could’ve been better.
C+
Cartoon Ranking
  1. Chairman of the Bored
  2. Hot Bothered and Bedeviled
  3. Bubba Bo Bob Brain
  4. Baghdad Café
  5. In the Garden of Mindy
  6. Critical Condition
  7. O Silly Mio
  8. Phranken-Runt
  9. Puppet Rulers
  10. The Three Muska-Warners
  11. Clown and Out
  12. Jockey For Position
  13. Sir Yaksalot
  14. Potty Emergency
  15. General Boo-Regard
  16. Puttin’ on the Blitz
  17. Raging Bird
  18. Dough Dough Boys
  19. The Big Kiss
  20. Draculee Draculaa
  21. Babblin’ Bijou
  22. Fair Game
  23. No Place Like Homeless
  24. I Got Yer Can
  25. Spell-bound
  26. Smitten With Kittens
  27. Astro-Buttons
  28. Boot Camping
  29. Moby or Not Moby
  30. Noah’s Lark
  31. Skullhead Boneyhands
  32. The Good, the Boo, and the Ugly
  33. Hiccup
  34. Moon Over Minerva
  35. Broadcast Nuisance
  36. White Gloves
  37. Katie Ka-Boo
  38. Mesozoic Mindy
  39. Hollywoodchuck
  40. Can’t Buy a Thrill
Miscellaneous Ranking
  1. Animaniacs Stew
  2. Testimonials
  3. Buttermilk It Makes a Body Bitter
  4. Alas Poor Skullhead
  5. Cartoons in Wakko’s Body
  6. You Risk Your Life
  7. Casablanca Opening
  8. The Slapper
  9. The Great Wakkorotti: The Summer Concert
  10. Animator’s Alley
Song Ranking
  1. The Planets
The next Animaniacs review has Rita and Runt take a wrong turn and end up on a bunny farm, Mindy chases after her old doll thrown away even after getting a new clean one, and the Warners meet ladies who keep asking them if they want to take a survey.
Next time on MC Toon Reviews, from OK K.O.! Let's Be Heroes it's "OK Dendy! Let's be K.O."
If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.