Showing posts with label Carmen. Show all posts
Showing posts with label Carmen. Show all posts

Monday, October 8, 2018

'Toon Reviews 22: Animaniacs Vol 2 Part 6: O Silly Mio/Puttin' on the Blitz/The Great Wakkorotti: The Summer Concert


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Episode 31
O Silly Mio

A key factor to the Warner siblings cartoons being so consistently great is the portrayal of the antagonists.  Since the kids’ cartoonish antics tend to get really ridiculous and aggressive, the person at the receiving end of said antics should be deserving of them.  They’re usually a total grump or jerk who needs some sense knocked in.  This way, the jokes work incredibly well and you easily root for the right characters and don’t feel too bad for whoever endures the antics.  Most all the antagonists the Warners have dealt with so far have been portrayed this way and the one in this cartoon continues the trend. 
As an added bonus, the cartoon pays tribute to one of the greatest Bugs Bunny cartoons and the favorite of series creator, Tom Ruegger, “Long Haired Hare.”  In that short, Bugs just minds his own business playing music, but constantly gets belittled by a pompous opera singer he’s unintentionally disrupting.  Likewise here, the Warners face a similar problem with the featured antagonist, an opera singer named Madame Bruntwind.  They’re simply making a stained glass window of their old director, and Bruntwind, singing loudly while rehearsing for a performance of Carmen distracts them.  The thing that sets the Warners apart from the earlier Looney Tunes short is that the siblings are upfront with their problem with Bruntwind.  Heck, all they ask of her is to turn down the volume.  However, the singer is too stubborn to reason, and intentionally continues singing as she did to the point of trying to harm them.  Still, the basic idea of both cartoons is the same where both singer characters are too pompous to see that the world doesn’t just revolve around them.  The protagonists of both works even vow revenge in very similar playful ways.  It causes the action to shift to an interesting setup of creative gags pulled within an elite setting of high-class operatic music. 
While the Warners’ retaliation gags aren’t as creative or grand-scale as Bugs’, there’s still plenty of wacky imagination put into them, and they’re all fun to see.  Some are childish like grossing Bruntwind out with half-eaten food while she’s in the middle of a performance.  Others have a huge surprise factor like Yakko suddenly appearing as one of the co-stars to sing about how heavy Bruntwind is before dropping her.  My favorite gag is one that turns the opera into something completely different.  It starts when the Warners use the surprise factor again and sing a line so loudly, Bruntwind gets stuck in a drum.  When Wakko hits her out with the biggest drumstick he has, everything is briefly transformed into a sudden baseball game on the opera stage.  It’s one of those gags that’s so random, yet is brought to life to great entertaining effect. 
All the while as Bruntwind’s performance falls apart, the Warners are kept likable and fully worth supporting.  They even bring up the broken window that drove them to fight back, something they rarely do to any of their antagonists.  For the finale, the Warners pull off even more elaborate gags to go out on.  They swing Bruntwind from a hook who still sings the piece perfectly, and congratulate her with plants as small as roses and as big as trees that weigh her down through the stage. 
As for this performance as a whole, in addition to being a great modern version of a classic Looney Tunes short, it’s another strong example of Warners retaliation at its finest.
A+
 
Puttin’ on the Blitz


When discussing Rita and Runt cartoons, I frequently bring up how they have a stronger sense of emotion and soul than works from any other character in the cast.  With this cartoon, the emotional power is in full force.  While it feels out of place for this comedy series, it can be admired as a heartwarming story with endearing character bonds as a work by itself. 
Adding to the emotional weight is the setting of Nazi-occupied Poland in World War II.  It’s portrayed as war normally would be with bleak backgrounds, dark threatening soldiers, and innocent citizens running for their lives.  As beneficial to animation as creative portrayals of wartime are, expected serious and emotional portrayals benefit too.  They make you feel like you’re in this dark moment of history with the appropriate atmosphere.  Coming from a family show, this portrayal stands out much more. 
Through all the darkness and fear from the Nazi forces, Rita and Runt themselves pull everything through.  It shows that for their differences, they’re still best friends vowing to stay together even in the darkest of times.  For Rita to put up with Runt’s lack of intelligence says a lot considering how much of a burden it can be.  This element is really felt in Rita’s featured song, a tango of how she and Runt will always have each other in the end.  As nice as the song is, it does tend to go too far in parts of Rita seeming flirtatious with heart symbols and kissing Runt at one point.  There’s no reason why she can’t see Runt as just a friend like normal. 
It’s also great that the cartoon doesn’t just say that Rita and Runt make a great team.  It shows it too.  With a dark and brooding setting, the soldiers, and a blue dog working for them bring lots of danger to fight.  Rita and Runt are capable enough to do this which is especially great for Rita who usually plays victim.  It’s impressive that she fights against the dog so well. 
Rita and Runt’s bond is also put to good use in helping others.  They find a little girl named Katrina who is left behind by her father who tries to evade the Nazis without having them follow her as well.  Feeling bad for her, Rita and Runt strive to help Katrina, which brings on most of their heroic moments.  Plus, Katrina adds a welcome layer of cuteness to their dynamic as shown through her gratitude to Rita for saving her from the Nazis’ dog.  She’s clearly the best chance Rita and Runt have to get what they want the most, a home. 
They’re set to get it in an exciting climax where they find Katrina’s father on a departing train and rush towards it with the Nazis right behind.  From the sweeping background music and desperation from the characters’ actions and voice work, this is where the emotion is the most effective.  It also gives Runt a chance to shine as he fights the dog which gives Rita and Katrina a chance to get on board.  However, Rita’s friendship rules out when the Nazi dog getting the upper hand convinces her to leave the possible family behind to help Runt.  In the end, the heart shines through with Rita making it clear that a home would mean nothing for her without Runt.  Once again, for how different these characters are, it’s truly endearing that they need each other to really be happy. 
This cartoon’s sense of emotion does go against the tone of this show yet still works as it is. It tells a heartfelt story where great friendships prevail in a dark period of history not often portrayed in family shows.  Through playing to what makes Rita and Runt stand out from the cast, we have a great cartoon.
A
The Great Wakkorotti: The Summer Concert
Like Episode 16, this episode contains a Great Wakkorotti concert.  I for one enjoy them as a humorous mix of a high-class setting with low-brow humor as Wakko belches along to a classical music piece. 
The problem with this particular one is that it’s almost exactly the same as the previous one.  It features the same animated scenes, the same introduction and closing line, and the same in between gag to make Wakko burp more.  It really shows how mass-produced these segments are which makes them feel cheap and lazy.  Depending on how you feel about the humor, this can be disappointing if you like the concept or a waste of time if you don’t like it. 
There are at least some things to distinguish itself from the others.  The biggest one is the actual piece which in this case is “Dance of the Hours.”  This makes for a different tempo for Wakko to burp to which is nice to see.  Plus, while it’s honestly hard to tell, burping to a different piece does make for a few new funny expressions. 
As it stands, this Great Wakkorotti segment is fun and watchable, but mostly being the same as what we got before does not make it anything special.
C+
Cartoon Ranking
  1. Hot Bothered and Bedeviled
  2. O Silly Mio
  3. Phranken-Runt
  4. Jockey For Position
  5. Sir Yaksalot
  6. Potty Emergency
  7. Puttin’ on the Blitz
  8. Draculee Draculaa
  9. Babblin’ Bijou
  10. I Got Yer Can
  11. Moby or Not Moby
  12. Skullhead Boneyhands
  13. The Good, the Boo, and the Ugly
  14. Moon Over Minerva
  15. Mesozoic Mindy
 
Miscellaneous Ranking
  1. Testimonials
  2. You Risk Your Life
  3. The Great Wakkorotti: The Summer Concert
The next Animaniacs review covers a masterpiece of a cartoon where the Warners endure a boring man who won't stop telling them a long, rambling story, a song about the planets, and Mindy and Buttons in space.
Next time on MC Toon Reviews is a spooky-themed OK K.O.! Let's Be Heroes episode suitable for this month, "Parents Day."
If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.

Friday, October 27, 2017

'Toon Reviews 7: Hey Arnold Season 2 Episode 13


Eugene Goes Bad







It’s astounding how much this season has expanded on many of the supporting characters even going as far as giving cartoons to characters who never took the spotlight before.  This cartoon continues the trend of expanding on side characters by giving an interesting direction for a usually good-natured kid like Eugene to take.  At the start, he’s shown to be a huge fan of a TV show called The Abdicator and is very influenced by and admirable of the titular superhero, making it seem like he thinks the Abdicator is really real.  However, when he goes to see the shooting of an episode that takes place in the neighborhood, he’s abhorred to see that the Abdicator is just an immature, rude, and whiny Hollywood actor who can’t do his own stunts, nothing like he is on the show.  On one hand, it’s kind of silly for Eugene to be this deeply affected by this because everything he’s seen of the Abdicator was just part of a show that isn’t even real.  On the other hand, the way he reacts to the actor’s behavior really shows how much Eugene has valued his work and how he always looked up to the Abdicator to do good.  To see that the Abdicator is nothing like he appears to be is clearly not what he would want to discover.  Even if Eugene’s change of heart isn’t perfectly understandable, it makes enough sense.  Plus, the scenes of Eugene going bad offer an interesting change of pace.  We’re so used to seeing him being so positive and chipper even when constantly hurting himself, so seeing him go through life as a bad kid spices his scenes a lot, including one of him deliberately pulling the fire alarm without a probable cause, a twist to the events of Season 1’s “False Alarm.”  However, through being a bad kid, it becomes clear that Eugene really has become a reflection of the Abdicator, acting nice and happy while watching his show only to go bad after discovering that his hero is not what he seems.  The latter point is especially reflective of him when a random little kid who conveniently has always looked up to Eugene despite us never knowing him before this cartoon decides to go bad just like him.  However, as soon as the little kid goes bad by going out past his bedtime, the influential cycle is brought to an end where even in his bad streak, Eugene is far from heartless.  He rushes to action when he finds the little kid hanging from a fire escape in danger.  It’s here where the real Eugene shines again where he rushes to do right only to get in danger himself.  Then, it’s the Abdicator actor, who amazingly decides to better himself after Eugene’s rant and saves him and the kid deciding that everyone really does need a hero.  Ultimately, despite its questionable motives and plot conveniences that don’t affect much later on, this is a solid story of what it’s like to have idols and interesting new directions for the characters involved. 9/10


What’s Opera Arnold?










When it comes to entries in this series that break from the slice of life norm, this cartoon is really the only one of that kind.  As a result, it takes the time to put the characters in something creative and show off some impressive music and visuals in the process, and the final result is an amazing experience.  In terms of story, there’s not exactly much to it.  Arnold and his class go on a field trip to the opera, and Arnold and Helga daydream while listening to it.  The same can be said for the dreams themselves which involve both of them trying to impress their love interests which by the way show that Arnold still has some hots for Ruth McDougal even after learning she’s really not what she seems back in “Arnold’s Valentine.”  However, the lack of weight to the story doesn’t matter because, as is customary for the animation medium, it takes the barebones concept and mines it for many grand, creative, and memorable sequences.  A lot of the appeal of what goes on has to do with how well the opera concept is initialized in the dreams that take up the majority of the cartoon.  Largely revolving around the opera, Carmen, we have the kid cast of the show from the main players to the background characters populating the scenes of the show.  They revel in the opera environment by singing all their lines to the tune of famous pieces not just from Carmen, but also other famous operas like Pagliacci and Ride of the Valkyries.  Moments like these are easily the cartoon’s highlight with the kids’ vocal performances as well as the speed and timing of the animation on them matching the music pieces perfectly and getting across their emotional tone.  Some memorable ones include the sorrow of Harold dressed as a clown singing from Pagliacci when Arnold first finds himself in the opera dream, the fury of Helga as she rages at Arnold crushing on Ruth instead of her to Ride of the Valkyries, and the excitement when Curly appears to propose himself to Helga and later duel Arnold for her.  There’s also a charm to these operatic performances with the many visual cues on how all that’s happening is a stage production.  It’s felt through Arnold suddenly changing clothes to fit the Carmen scene, Ruth being thrown down a trap door to below stage giving Helga a chance to fill the leading lady role, the action stopping for Helga to don the Carmen costume, a shot of the actual orchestra at one point, and the scene and props coming down as the show, and Helga’s dream end.  All these elements of the opera dreams put together give the cartoon the status of a big event making it seem almost like a real opera and one to inspire you to look into operas.  In fact, the cartoon is so impressive in that regard that you wish that the show would step out of its comfort zone more often.  However, that just makes this amazing animated work truly special. 10/10
The Ranking
  1. What’s Opera Arnold?
  2. Rhonda’s Glasses
  3. Harold’s Kitty
  4. Helga’s Love Potion
  5. Monkey Business
  6. Eugene’s Pet
  7. Freeze Frame
  8. Steely Phil
  9. Gerald’s Secret
  10. Save the Tree
  11. Phoebe Cheats
  12. Gerald Moves Out
  13. New Teacher
  14. Eugene Goes Bad
  15. Eating Contest
  16. Mudbowl
  17. Quantity Time
  18. Ms. Perfect
  19. Big Caesar
  20. Ransom
  21. The Big Scoop
  22. Best Friends
  23. The High Life
  24. Hooky
  25. Arnold Saves Sid
  26. Longest Monday
Be sure to stay tuned for the review of the last episode of the season, the creatively structured and truly frightening Halloween special, "Arnold's Halloween."
If you would like to check out other Hey Arnold reviews on this blog, click here for the guide made especially for them.