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Episode 79
My Mother
the Squirrel
If
the tail-end of my Vol 3 reviews is any indication, the Kids WB years are not
exactly going to be kind to Slappy Squirrel.
Introduced as a retired cartoon star who uses her knowledge of cartoon
violence to get around in modern life, she came off as one of the show’s most
interesting stars. At this point though,
she’s not exactly teaching the art of cartoon violence. With little to no emphasis on big explosions
or cartoonish gags, it seems that the grumpy old squirrel part of Slappy’s
character is the sole thing that remains in her cartoons. Still, going into them with an open mind is
sure to bring something worthwhile from the experience such as in this
cartoon.
As a take on one of the show’s
better one-off cartoons “Wild Blue Yonder,” it’s an alternate take on the
little blue bird who hatches while his mother’s away. Like in the previous cartoon, the bird
believes anything close by is his mother, though is smart enough to not mistake
a plane for one again. However, he does
see the easily agitated Slappy as his mother, and sticks with that mindset
throughout the cartoon. In the process,
there’s something amusing about a child as innocent as the bird up against a
total grump like Slappy. Sure, she’s
done better comedic routines, but there’s nothing really bad about what the
bird puts her through. Even when she
becomes annoyed enough to flat out kick the bird out, there’s something cute
about the bird still going back to her without even listening. It also makes for some of the most awkward
positions Slappy finds herself in as the bird keeps insisting she sits on him,
giving her a very weird sensation down below.
Only advice from Skippy, who happens to have a book on the subject of
birds, can give Slappy the slightest understanding of what this bird
wants.
It’s through this willingness to
learn how to care for the bird that slowly has her warm up to the fledgling,
though it may be through a tolerance of him flying under her. The bird also proves his worth to Slappy by
opening nuts too difficult to crack, and adopting Slappy’s crankiness by
yelling at another bird, his real mother, to be quiet. So by the end, despite their differences,
Slappy and the bird bond very nicely. It
would make the transition in tone to Slappy’s cartoons a lot more acceptable if
the bird stuck around with her for the rest of the series.
Yes, for all its potential as the start of a
fresh new dynamic, it’s really just as much of a one-off as the bird’s first
appearance. It becomes noticeable that
the Slappy cartoons really won’t be as good as they used to be, but this
cartoon manages to stand strong enough as a very cute cartoon by itself.
B+
The Party
In
case it wasn’t obvious enough of how the Warners operate radically differently
from the outside world, this cartoon perfectly showcases that idea. Even in a setup as simple as a dinner party,
they always find some way to apply outrageous comedy to almost every area.
They invite people they usually antagonize
like Ralph the Guard, Dr. Scratchansniff, and even CEO Thaddeus Plotz. This
interestingly suggests they have no hard feelings to the people in their lives,
although the former two people have been shown to be on good terms with the
Warners as of now. As for Plotz, who has
yet to have developed such a good rapport with the Warners, he takes much more
convincing when he’s told Steven is going to be at the party. Clearly suggesting that they mean Steven
Spielberg, Plotz is more than willing to put up with what the Warners have in
mind for the evening.
At the actual
party, while it seems much more subdued for something thrown by the Warners,
there are at least a few standout elements.
With the guests asked to bring dates, there are returns of a few
memorable side characters like Ralph’s wife, and Dr. Scratchansniff’s date from
“Drive-Insane.” Plotz is only able to
ask a totally random woman with a tendency to add a cadence to a lot of what
she says, showing how low his social life really is. The comedy brings a few awkward
moments that kind of go both ways. Some
of them are just plain off-putting like the guests offered peanut butter sandwiches
as a dinner appetizer. It feels like the
comedy’s supposed to come from a long sequence of nothing but everyone eating
them and having nothing to drink to wash the food down. Thankfully, other moments are a more
enjoyable kind of awkward. There’s a
running joke of the Warners suggesting everyone to go meet Christopher Walken
before cutting to his unusual physique and monotone voice. Even if the joke is repetitive, it somehow
gets funnier every time it happens.
Following the peanut butter sandwich scene, there’s also a humorous
dance from Wakko who publicizes this party being an event where he wears
pants. It might not seem too big, but
it’s more meaningful considering how he often claims that he’s not wearing
pants. The dance itself is fun to watch
and is highlighted by a few trademark belches, although in playing to the
awkwardness of the scene, everyone is appropriately disgusted.
Now the prospect of Steven showing up is the only
reason Plotz puts up with all this nonsense.
However, as you can guess, the Steven the Warners were referring to is
not Steven Spielberg, but rather, the fat fanboy from the Please Please Please Get a Life Foundation. Like the Warners
say, that’s a long way to go for a stupid joke, but it warrants a few good
laughs nonetheless. With this cartoon,
despite it not being the Warners’ best work, it’s proof that there is room for
good entertainment even when low-key and simple.
A-
Oh Say Can
You See
The
Flame is among the more unusual characters in the cast of this show. It’s not that there’s anything wild or
eccentric about him, but a flame with a childlike voice lighting up a room as a
document of American history is written isn’t in line with the main tone. It’s cute for sure, but not exactly a winning
staple of comedy. Yet, his material has
come off as fresh and atmospheric, or even brimming with American spirit. This cartoon being the Flame’s final starring
role doesn’t even come close to those works though it’s still decent as it
is.
It follows Francis Scott Key taken
prisoner on a ship during the War of 1812.
While in a cell watching the battle rage on, the American flag still standing
inspires him to write what becomes the American national anthem, “The Star
Spangled Banner.” The Flame goes through
his usual motions once Francis summons him with a match. He groggily comes to, freaks out that there’s
a fire when he’s fire, and then realizes that Francis is about to write
something. After that, the cartoon is
nothing more than the Flame reading what Francis writes for “The Star Spangled
Banner.” At least there are a few
obscure historical references, like the lyric “by the dawn’s early light”
originally being “through the dawn’s early light.” For authenticity’s sake, the word through is
crossed out, as would be the case with any song’s first draft.
That said, there’s nothing to make the
cartoon stand as anything special.
There’s nothing whimsical of the Flame’s surrounding like his first cartoon,
nor is there a dramatic visualization of what’s being written like in his second cartoon. Then again, there’s
nothing whimsical about a ship’s prison hold and the flag still waving is
dramatic visualization enough even if it’s not that impressive. There’s hardly even stakes to the
surroundings other than the Flame in danger of falling into the ocean as
Francis tries to get to a boat when a cannonball sets him free. Finally, when the song is written, it ends at
a random scene of a baseball game. I
know the national anthem is common to hear in baseball, but it just feels
shallow to say that things like that are all the song is good for.
In fact, shallow is a good way to describe
this cartoon. It’s nothing more than the
Flame watching someone write a document with no real stand out moments. Maybe if the other cartoons in this episode
were America-themed it would be easier to enjoy this. As it stands, the work is fine, but is
overall something that just happens.
C
The 12 Days
of Christmas
It’s
one thing for an episode to have an America-themed cartoon when no other
segment follows that subject in the slightest, but this one goes a step
further. It includes a Christmas-themed
segment when nothing else in here relates to that holiday. While the audience is sure to be left
dumbfounded by this direction, there is some remote humor to the given material
especially when looking at the segment’s background.
Apparently, Cody Ruegger, one of the sons of
creator, Tom Reugger, learning the titular carol was the inspiration. The final result gives a good idea of how
that turned out. Set against a fitting
holiday setting of a concert with an orchestra composed of principal characters
of the series, the little blue bird comes out to perform. The orchestra plays the song, and the bird
starts to sing. This is where the humor
completely bursts out as the bird’s rendition of “The 12 Days of Christmas” is
very loud, very off-key, and consists of nothing but turtle doves. To further drive this background home, the
bird is voiced by Cody, giving a feel that this segment is an excuse to show
how he learned the carol. That goes to
show that even when a little kid has the wrong idea about something, the results
can be quite funny. Being incredibly
short allows the comedy to really stick and not go on longer than it needs
to. It allows the show to keep
its status of being literally anything it wants to be and coming off as
successful. Coming from a personal
recount of the series creator certainly helps.
You still can’t shake off the oddness of getting a Christmas segment in
a non-Christmas episode, but with the right attitude, it’s still good for a
Yuletide laugh.
A-
Cartoon Ranking
1. This Pun for Hire
2. Go Fish
3. The Sound of Warners
4. Buttons in Ows
5. Star Truck
6. Yabba Dabba Boo
7. The Party
8. Gimme the Works
9. My Mother the Squirrel
10. Hercules Unwound
11. Oh Say Can You See
Song Ranking
1. Multiplication
Miscellaneous Ranking
1. The 12 Days of Christmas
Ruegger
ReplyDeleteNot Reugger
Thanks!
Tom
I think this half hour is great— surprised to hear you think of it less so.
But everyone is entitled to his or her opinion.
It's an honor to get a comment from Tom Ruegger himself on one of my reviews. Thanks!
DeleteI'd also like to say that despite what I say in my review and even if this episode isn't one of my favorites, I do still enjoy watching it every now and then.
One more thing; I guess I should have mentioned that the voices of all three of your sons, Nate (Skippy), Cody (the bluebird), and Luke (the Flame), are featured in this episode. That is very interesting and a nice unique and personal touch.