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One
thing that should be made absolutely clear about the first Hey Arnold movie is that it was never intended to be the show’s big
theatrical debut. When given the
opportunity to make a feature-length work of his show, creator Craig Bartlett
had something much bigger and cinema-worthy in mind. This particular film would be a true
grand-scale adventure taking Arnold and his friends outside of their neighborhood to an exotic jungle setting. Above
all, it would be the work to answer everything the show couldn’t. As a
follow-up to Season 3’s “Parents Day” the most important thing it would answer
was of what happened to Arnold’s parents.
Although Craig was busy brainstorming on this movie, it wasn’t long
before Nickelodeon decided to have the other Hey Arnold movie released to theaters. This meant that Craig’s project would have to
be put on hold, and would only go in production again after the first Hey Arnold was released. However, that movie didn’t do well at the box
office and other animated theatrical Nickelodeon releases like The Wild Thornberrys Movie and Rugrats Go Wild met similar fates. This along with the fact that the Hey Arnold series had ended production
convinced Nickelodeon to shelve that more substantial and ambitious film. In
going through with this move, Hey Arnold
ended up feeling unresolved and abruptly finished. I mean, given how effective things like
Arnold missing his parents and Helga’s crush on Arnold are, closure
was absolutely necessary especially for such dynamic characters.
Going
through the 2000s straight into the 2010s, the rise of social media showed that
fans of nostalgic 90s cartoons, including Hey
Arnold, felt the same way. For
years, fans have drawn awareness of how there was supposed to be another Hey Arnold movie and showed desire for it
to be made. There were innumerable
petitions, groups on sites like Facebook, and causes of any form of media possible to
convince Nickelodeon to make the film. I
actually first learned of the film from these sources myself in fact. At that time, the rise in interest and
awareness of how powerful nostalgia truly was soon got to Nickelodeon. They
started promoting their old shows, Hey
Arnold included, in ways they never did before with a block called
The 90s Are All That, later renamed The Splat or nickSplat. Then DVDs of seasons of those old shows
started getting released by Shout Factory to great profit. Even Craig Bartlett, who had long given up on
this film ever being made, was starting to become hopeful over the rise of the
interest. Finally, the voice of the fans
was officially heard, and Nickelodeon allowed the film to be made and therefore
give Hey Arnold the ending it
deserved. Its name being:
Hey Arnold: The Jungle Movie
(November
24, 2017)
The
very idea that this movie could be made in an age where it seems like the world
has moved on from 90s cartoons is very hard to believe, but it happened. It’s also telling of just how powerful nostalgia can be and how the modern age has
allowed it to be noticed. As a result,
this film is not just effective in answering nearly all the unknown questions
of the series. It also transports audiences to an era not seen for many years
for something truly unforgettable.
Right
from the art style, you can tell that for a product of the 2010s, its
aesthetics pretty much nail the old school world of the original Hey Arnold series. In the early scenes at Arnold’s neighborhood,
the look of the setting is instantly recognizable. Also, while many characters have a few slight
alterations to their looks, they’re completely recognizable too from their
voices, personalities, and general appearances.
Any change they do have can be justified due to how much time has passed
in universe, a year after the original series ended in fact. You might say that they grow up alongside the
original fans, which shows just how personal this film is to anyone who has
ever cherished Hey Arnold.
This feel also reflects how technology has
changed, mainly through how the Patakis fall on hard time with Big Bob’s
stubbornness to accept that beepers are now obsolete. That said, the phones, which are shown
prominently in the film, feel more like they’ve adapted with our times than the
show’s time if this movie takes place a year after the series.
No
matter how much this world and the Hey
Arnold fan base has grown, it feels right at home with its roots. This isn’t only applicable to the look of the
film, but in the storytelling as well.
It’s quick to pick up where the series left off by showcasing the effects
of the biggest mystery on Arnold himself considering that it involves his long
lost parents. The opening scene is a dream sequence of flying off to the
jungles of San Lorenzo to find them.
Once he does, they barely reunite when they’re suddenly called on
another mission, leaving him again with a hole in his heart to show how he
feels without them around. It’s a big
way to start the film to showcase what that one unresolved question is doing
for Arnold as he gets nowhere in finding his parents even with that uncovered
map.
Nevertheless, it’s impressive that
he manages to remain upbeat and friendly as he goes through areas of his life,
all of which reflective of the original series.
The residents of his grandparents’ boarding house as well as his
grandparents are their eccentric old selves.
Helga uses the same aggressive quirks to hide her intense crush on
Arnold. The students of Mr. Simmons’
class are also true to their roots as he does what he can to keep the learning
experience enjoyable for everyone. It’s
a familiar and distinctive world with a lot to take in, and despite his
internal problems, Arnold never lets them overpower his pure
heart.
In
fact, it’s that pure heart that gets him the progress he needs in his goal to
find his parents. There’s a contest to
go to San Lorenzo where the winner must prove to be a good humanitarian. When Arnold’s attempts prove fruitless,
Helga’s mad affection for him takes care of everything. The film takes her habit of stalking Arnold
to a whole new level by revealing she’s filmed practically everything he’s
done, including his tendencies to help people no matter what. Nevertheless, her painstaking efforts to help
him and general devotion show as she stops at nothing to put it all
together.
The result is an amazing
tribute to Arnold’s general role in the series as we know it. It comes in the form of a montage of
recreated scenes of memorable moments and interviews of members of the cast
major and minor. To make the tribute
feel especially authentic to the series, there are even interviews with
legendary one-off characters like Stoop Kid and Pigeon Man. For the latter figure though, you have to
wonder how Helga managed to get footage in France. Nevertheless, you couldn’t ask for a better
tribute to the element of Hey Arnold
that basically defines it all. While
it’s solid in context for being what wins Arnold the contest and chance to find
his parents, it’s also strong out of context to convince
outsiders to check out the series.
At
this point, it’s worth mentioning that unlike the first movie, this movie is
much more successful at giving a cinematic feel. While it starts off simple, it allows enough
time to take in the emotional effects of things like Arnold missing his parents,
how his world’s changed, and the tribute to Arnold. This is what’s needed to smoothly transition
into more ambitious storytelling once Arnold and his class set off on their
trip to San Lorenzo. It all starts with
adjusting to new surroundings of this strange new jungle setting, the
experience highlighted by the different personalities of many familiar
characters. Arnold’s classmates are
given many memorable moments here fitting to how fans of this show know
them. Harold is constantly asking about
food. Curly is a frequent stalker and
nutcase in an already wild environment.
Eugene has comedic allergic reactions to exotic fruits leading to many
calamities while he’s over inflated as a result which is honestly a bit too cartoonish for this show. Rhonda has several comedic outbursts over the
jungle environment messing with her fashion.
Even Nadine, who’s usually given next to nothing to do, has a lot of
standout moments relating to her interests in bugs. These supporting characters’ roles are small,
but their prominent enough to define this film as a true Hey Arnold work.
Of
course, driving everything is Arnold himself whose thoughts of his missing
parents really shows being in the very place they disappeared. As a result, he naturally comes off as much
more flawed than his pure of heart tribute video suggests. The trip is led by a man claiming to be his
parents’ old friend Eduardo, though there’s always some suspicion surrounding
him. Believing he could lead to their whereabouts,
Arnold puts the utmost trust in Eduardo despite only just meeting him. Very slowly, the consequences of this move
reveal themselves as everything good Arnold already has in his life
unravels. First, his trust in Eduardo
causes his best friend and loyal partner Gerald to feel betrayed.
Still,
heart shines through as the story allows room for understanding despite the
problems brought by Arnold’s rashness to find his parents. Helga, whose aggression to Arnold is genuine
following her failure to confess her feelings to him, can see that he was just
desperate to find his parents. Also,
she’s to blame for selfishness as much as Arnold was back there since she was
thinking too much of her desires and not of his. Honoring her love for him, she puts what’s
happened aside and convinces and rallies everyone to help him escape to
accomplish what he set out to do in San Lorenzo. For how hardly everyone has taken Arnold’s
actions, understanding is the best route for the story to go it as it makes for
many exciting moments for the rest of the film.
While Phoebe’s high IQ takes charge in a fun character driven jailbreak
from La Sombra’s guards, Arnold, Helga, and Gerald break free to the wild for
the real high stakes. With the aid of
the map in his dad’s journal and an amulet from the mysterious Green-Eyed
People, the three come across many surprises selling a believable feel of the
setting. It’s actually lucky they have these tools or else they’d be no match
for dart onslaughts, dangerous falls, or cave-ins after making a wrong move. The Green-Eyed People are just that
well-hidden. Speaking of the Green-Eyed
People, there’s welcome insight to them and their society after only being
heard of but never seen back in “The Journal.”
While the look of their hidden city isn’t spectacular for sticking out
as a painfully obvious CGI element, it is impressively grand scale. Even more noteworthy is how it’s only
inhabited by children which demonstrates the creative world building of this
mysterious tribe. Keeping true to established events of the series, there’s a
good reason for this because of the effects of the sleeping sickness Arnold’s
parents, Miles and Stella, came to cure.
It also works in a callback of a
major natural phenomenon of the original series of a volcano silencing the
second Arnold was born. That’s all the
reasons the Green-Eyed People need to believe that he’s the one to retrieve a
sacred artifact called the Corazon to potentially cure the sleeping
sickness. While it’s already confusing
for Arnold, it only becomes more difficulty because of La Sombra.
With
the help of the real Eduardo, Arnold, and by extension the audience, finally
learns the truth of what happened to his parents. For years, people couldn’t help but wonder
exactly why they never came back when leaving for their mission in San
Lorenzo. Was it child neglect? Did they
become obsessed with the spirit of adventure?
Well, as it turns out, they never came back because they had no choice
in the matter.
Along with the adult
green-eyed people, Miles and Stella were also victims of the sleeping sickness,
laying in a coma for almost 10 years.
This circumstance is very in line with how genuinely loving of their son
they were shown to be in all past appearances.
Being something out of their control practically justifies their absence
and making this answer legitimately understandable albeit heartbreaking for
poor Arnold. There is a slight
contradiction to established effects with “The Journal” claiming the sleeping
sickness to be deadly only to now be downgraded to putting victims into a
coma. I suppose that maybe it already
did kill a few Green-Eyed People and all remaining survivors are part of an
outbreak the butterflies Miles and Stella tested their cures on got. Even so, there’s little to no hope of them
waking up without the Corazon which means Miles, Stella, and the other
Green-Eyed People might as well be dead.
That is the case until Helga gets an idea.
The
Corazon may be gone, but she has a gold heart of her own, her locket. The fact that it works turns out to be very
telling of the standout elements of Helga’s character.
An earlier scene showed her look at the Corazon
and its compartment didn’t shoot a dart at her showcasing her heart as pure. She may not show it, but the lengths towards
winning the contest, escaping La Sombra, and now awaking all these people are
telling of her devotion and care to others.
For that, it’s simply beautiful that her locket fits into a machine
filled with a cure for the sleeping sickness. That leads to the curing of the disease’s
victims and some long awaited moments for the series.
Arnold seeing his parents wake up after their
long coma is perhaps the best way to see this loving family reunite after an
entire childhood apart. This heartwarming moment also leads to a long
awaited culmination for Arnold and Helga’s relationship.
After everything that’s happened, Arnold
notices all the effort Helga has gone through to make the success of his
mission possible. With that, he comes to
the conclusion that she loves him, something he himself has grown to suggest
near the end of the original series. All
the devotion, caring, and fact that her locket worked as something pure enough
to cure his parents and the Green-Eyed adults has Arnold respond to Helga with
true love’s kiss. As an interesting turn
of events, Helga ended up never needing to tell Arnold her true feelings with
him finding out everything and starting the couple on his own. After so much
action and drama, you really can’t think of a more satisfying way for these
characters to earn their happy ending.
It’s
after this scene where there’s an effective way of showing the adventure’s
effects. Suddenly cutting back to Arnold
waking up in his room, you get the impression that the whole thing was just a
dream. By extension all the anticipation of the film, story and production
wise, feels put to waste right down to a repeat of the beginning of the
film.
All it takes is an appearance of
Miles and Stella helping out around the boarding house to prove the contrary to
heartwarming effect. As a result, every
moment of this film has reshaped this show’s universe for the better and
everyone is put in a good place. Arnold
and his friends are now starting sixth grade, the highest grade at PS 118. Arnold and Helga are finally an official
couple even if Helga still has an aggressive way of showing affection. Best of all, Arnold is happy to have a
complete family with his parents now able to really always be there for their
child. While this is probably the best
way to leave this series, resolved plot points and all, there’s also an
impression that this new setup can lead to future ideas. Although it’s been rumored that Craig
Bartlett has some such ideas, I’d personally be satisfied if this is the last of this series, though more seasons of this setup would be nice too. With every
major character of the cast truly happy, that’s really all one can ask for at
the end of all things. There is a
consequence of being left wondering exactly how all of Arnold’s friends escaped
La Sombra’s fortress though. Thankfully
I can overlook that for how well the ending plays out for making the audience
think it was all a dream only to reveal that to not be so immediately after. It shows how badly resolution for these
lingering plot points was wanted and brilliantly showcases the satisfaction of
finally getting it.
Hey Arnold: The Jungle Movie is one of the biggest TV animation miracles
not just of the decade, but of all time as well. After years of being shelved, many desires to
see it made were heard and resulted in an exciting adventure with an updated
yet nostalgic flair. In the end, there’s
satisfying closure to all of the series’ unresolved conflicts that make this appealing world finally feel whole. It being made and coming out so good is a
true testament to how well-constructed and timeless Hey Arnold is as a series, no matter what era it’s from.
Highly Recommended
With
this, my look at Hey Arnold is now
officially over. It can be said with
no doubt that it is one of a kind as a slice-of-life show. With unbelievably deep messages and character
development, it will forever be known as one of, if not, the strongest of that
genre. True, as a few works showed, many of them coming from the last season,
it’s not always pleasing, but they don’t mean a thing against those works that
are. The fact that it successfully
generated enough interest to come back for one movie to resolve what was left
unsolved in the original run proves how engaging it truly is. You simply can’t ask for anything better than
that. So, in conclusion, it’s a series
I’m proud to grant must-watch status, especially for those looking for an
appealing series specializing in highlighting what life has to offer.
Stay Animated Folks!
Be sure to stay tuned for more reviews of Xiaolin Showdown Season 2, and a new review set for weekdays on Rocko's Modern Life Season 3. See you then!
I can hardly believe this "Hey Arnold" review series is already over. What a ride it was! 👏👏👏
ReplyDeleteHeart... purity of heart... therein is the big thing missing from HA! The Movie... not just a heart, but a theme. That's the big theme of TJM, and while in basically any other cartoon that would be cheesy and sappy, it works so unbelievably well in the HA! universe especially as the culmination of Arnold's and especially Helga's ongoing character arcs.
ReplyDeleteI have some minor nitpicks and gripes with the story structure, pacing and some character beats that feel rushed or undercooked... but they kind of pale compared to the rest of the movie and the major themes and elements are so perfectly executed I can't help but gush all over and blather at length about it... as I do...
You sum up what works so well about the story and characters, so I'm just gonna rant about how great Lasombra is... as you say, he is a pretty basic villain motivated by greed... but I'd go as far to say there's a lot more layers to him than that (and also I don't think his villainy is purely down to greed... I think it's more about the thrill of the hunt for him). On top of being wildly entertaining and surprisingly threatening (the way he just starts casually murdering people in the third act...) what he represents thematically elevates him even further: not only is he the complete antithesis of Arnold in just how self-serving he is; willing to use and abuse anyone to get what he wants, but he's also kind of the personification of Helga's darker side that she's been struggling to overcome throughout the series... that cartoonishly villainous side she often exhibits. Lasombra's arc is inversely parallel to hers as a character who is out to use Arnold to get the heart of gold, whereas she's out to use Arnold to get... well, him and his own figurative heart of gold. Her motives at the start of the movie are insincere and founded on selfish desires, but whereas Lasombra just keeps doubling down on his willingness to use and manipulate Arnold, Helga starts helping Arnold purely out of love for him regardless of what she gets out of doing so.
And as a result the wants vs. the needs of Arnold and Helga match up perfectly in the end: Arnold wants to find his parents, but what he needs is to accept Helga's love, whereas Helga wants Arnold to love her, but what she needs is to set aside her desires and help him find and save his parents.
And yeah... that whole thing with the locket being the cosmic keystone lynchpin of the whole series is just so brilliantly poetic I can't even...
It's touches like that that made this movie well worth the 15 year wait, and while the ending does subtly set up a continuation this movie is the perfect metaphysical pink bow to tie up the whole HA! saga.