Thursday, May 7, 2020

Hooray for North Hollywood Part 2 - (Animaniacs Vol 4 Part 21) - 'Toon Reviews 39

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Episode 96

Hooray for North Hollywood Part 2

First of all, I find it mildly humorous that the second part of this saga starts off with a very blunt recap of the first.  According to Skippy Squirrel and a repeated clip of the Warners saying they want to make a movie and Plotz saying they can’t do that, this was all there was for a full half hour.  Seeing as many stages of the Warners wanting to their movie were dragged out, he’s not entirely wrong.  As for the claim that the second part is more of the same, it’s a slight exaggeration since more plot happens, but it’s still short of the prestige’s lofty expectations.

Picking up where the first part left off, the Warners enter the Hollywood party slightly more in tune to their zany comical mannerisms.  They say how the charity the party’s sponsoring is performing a worthy cause of putting hearts into executives and humorously trick Ralph into chasing them into the party.  There are also funny interactions with celebrities. Yakko praises Sharon Stone for her appearance in a trailer as opposed to her acting in a film, and Dot tells Joel Shumacher that she sees all his films hoping they’ll turn out watchable.  They get chased when Plotz catches them, but the gags of food crashing into guests feels like a watered-down version of the chase at the end of “Taming of the Screwy.” Also their genuine and basic determination of saying they’ll leave when they sell their script further strips them from their true hilarious nature.  In a literal manner of a quality script showing up to a big name director on a silver platter, the Warners’ script gets picked up just as Plotz is about to ban them from the lot.  It’s at this point where he’s called out for denying quality work, and he faces consequences of that for the rest of the saga. 

The fact that the Warners’ film turns out to be a huge hit is very telling of how genius can come from the most unlikely and even craziest of places.  If only the Warners were as crazy as they usually are to fit the magnitude of this two-parter.  Now, despite this being a good lesson, unfortunately, their film that earns a lot of success and praise doesn’t live up to the in-universe bravado.  From what’s seen in a spoof on Siskel and Ebert reviews, the film is nothing more than parodies of scenes of popular films of the 90s.  From my research, it’s basically Independence Day, Slingblade, Fargo, Jerry Maguire, and The English Patient rolled into one movie.  There’s no common ground to the production and it feels like the Warners go from role to role.  That’s not the makings of a masterpiece.  That’s just a mess.  At least the parodies by themselves are funny, even if you know nothing about the targeted films.  Plus, as the Siskel and Ebert caricatures say, it does feature a bit of everything a movie should have.  Maybe there’s more consistency to the film than we’re shown, but it will probably never be known.  One thing that’s totally inconsistent is a musical number where Dot thinks a bus is named after her since it has the name LA DOT on its side.  It’s a great song and fits this part better than “There’s Only One of You” did in the first part, but it still sticks out from all those 90s movie parodies. 

To this part’s credit, as it shows more of a plot, there is some genuine emotion when Plotz, who greatly regrets turning the script down.  In fact it's shown that the types of films he approved are those that know how lacking in quality Space Jam really is and predict future disasters like Quest for Camelot.  Anyway, Plotz ends up fired by the chairman of the board.  The fact that this happens after he sees the error of his ways makes the usual jerk successfully sympathetic.  Even with the emotion though, it resolves itself a bit too easily.  The Warners have a lot of money from their film, use it to buy stock and own the studio.  Then for a New Year’s Eve party, they surprise Plotz by making him the guest of honor and allowing him his old job back.  

Thankfully, a few things make the rushed resolution work.  There’s still a positive impact from the easy fix with Plotz in rags alone on New Year’s Eve getting a warm reception. Plus, the idea of the Warners becoming heads of the studio feels like the best conclusion for their roles especially as the show nears its end.  If only it came from a better story.  Speaking of which, it ends up dragging again when just as things are settled with Plotz, several minutes are dedicated to a song about New Years.  It doesn’t connect to the main plot and is mostly there to set the mood of the party.  At least it’s still great as a musical number, and is a great way to reflect on the past and prepare for the future while rocking out at a New Year’s party.  It should probably be played at actual New Year’s parties more often.  The official final scene of the Warners writing a script for a sequel to their film and popping up in Plotz’s office ready to present it is also a strong finish.  It’s reflective of the ambitious filmmaking process always beginning anew with every new film idea, the very nature of Hollywood.  This being the last time the Warner Bros Studio environment, the Warners’ home, as the center of a segment, also adds benefit to what has unfolded.

As for “Hooray for North Hollywood” as a whole, its issues are too big to really allow it to stand as a grand achievement.  The funny characters in the spotlight are severely tamed, the built up film is just a bunch of parodies, and the pacing either drags or resolves things too easily.  Still, the monumental character-based moments are endearing, the songs are great, and there’s strong humor in parodies and celebrity jabs. It’s a mixed experience that makes it clear that the series is losing steam for not making a longer story the best it can be, but it leaves a positive classy impact nonetheless.

B

Cartoon Ranking

1.      This Pun for Hire

2.      The Brain’s Apprentice

3.      Magic Time

4.      Bully for Skippy

5.      Wakko’s 2-Note Song

6.      Go Fish

7.      From Burbank with Love

8.      A Very, Very, Very, Very Special Show

9.      Valuable Lesson

10.  The Sound of Warners

11.  Night of the Living Buttons

12.  Dot’s Entertainment

13.  Pitter Patter of Little Feet

14.  Boo Happens

15.  Buttons in Ows

16.  Cutie and the Beast

17.  Boo Wonder

18.  Star Truck

19.  Boids on the Hood

20.  Back in Style

21.  Our Final Space Cartoon We Promise

22.  Yabba Dabba Boo

23.  The Boo Network

24.  The Party

25.  The Girl with the Googily Goop

26.  Mindy in Wonderland

27.  Jokahontas

28.  Gimme the Works

29.  Ten Short Films About Wakko

30.  Hooray for North Hollywood Part 1

31.  Papers for Papa

32.  My Mother the Squirrel

33.  One Flew Over the Cuckoo Clock

34.  Hooray for North Hollywood Part 2

35.  Amazing Gladiators

36.  Cute First (Ask Questions Later)

37.  Soda Jerk

38.  Hercules Unwound

39.  Belly Button Blues

40.  No Time For Love

41.  Acquaintances

42.  Oh Say Can You See

43.  Soccer Coach Slappy

44.  Anchors A-Warners

Song Ranking

1.      Dot – The Macadamia Nut

2.      The Ballad of Magellan

3.      Hello Nurse

4.      Bones in the Body

5.      Noel

6.      The Big Wrap Party Tonight

7.      When You’re Traveling from Nantucket

8.      Panama Canal

9.      Multiplication

10.  Here Comes Attila

Miscellaneous Ranking

1.      It

2.      Gunga Dot

3.      Mighty Wakko at the Bat

4.      Ralph’s Wedding

5.      End Credits

6.      Moosege in a Bottle

7.      Rugrats Parody

8.      The 12 Days of Christmas

9.      Flavio Commercials

10.  The Return of the Great Wakkorotti

11.  Pinky and the Ralph

Be sure to stay tuned for the review of the next episode with the Warners in a carpool, and a special appearance by Slappy Squirrel's old co-star Suzie Squirrel.


If you would like to check out other Animaniacs reviews on this blog, click here for the guide made especially for them.

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