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The end is near for the series that
started this huge onslaught of reviews for this blog. However, I’m excited to go out in style in
reaching completion with my look into this staple of classic Nickelodeon:
Hey Arnold
(Season 5)
BASIC PREMISE
As
much as I enjoy discussing the old-school Nicktoon that I believe holds up the
best out of all of them as I get older, there’s something exciting about
reaching completion with it. Not only is
it an accomplishment to see an entire series through to the end, but it’s also
remarkable to see how consistent in quality Hey
Arnold really is. The slice-of-life
tone is easily at its most emotionally engaging here with all sorts of
endearing characters and thought put into the strife of everyday
challenges. That said, five seasons is a
long time to run a show like this, so it’s also best to be a little cautious
going in. In other words, it shouldn’t
be surprising to find a few works not up to the highest standards. Nevertheless, given the series’ general nature,
the things that work the best about it still should be top priority, andI still have many fond memories of the fifth season.
As
an added bonus, after completing my thoughts on Season 5, I’m also going to
cover the two feature length Hey Arnold works. There’s the show’s attempt at a theatrical
release with Hey Arnold The Movie,
and the grand finale 15 years in the making Hey
Arnold The Jungle Movie. This way,
in addition to further completing my look at this classic series, my views of
the series are also going to cover the entire underlying story. It’s the ultimate way to bring my reviewing
experience with Hey Arnold full
circle.
Having
said all that needs to be said to introduce this review set, get ready as this
is the final season of Hey Arnold, so
for the last time, move it Football Heads!
Now on with the reviews:
Sid the
Vampire Slayer
Most of the characters in the cast deserve praise for how they’re
written, but others have made themselves quite overbearing and not too enjoyable. Sid is one of the overbearing types who’s
constantly paranoid over little things and tends to jump to ridiculous
conclusions in many of his starring roles.
With that, you have an idea of what to expect going into this starring
role, although it does deserve credit for invoking a dark atmosphere.
In a way of fitting the childlike tone often
seen in these cartoons, it’s a result of watching a scary movie about
vampires. Kids, who are usually kind of
impressionable about what they watch, can give into the fear factor and believe
such scary things can happen in reality.
From the clip of the vampire movie of an innocent woman getting chased
and bitten by one and a mob forming to stop anymore out there, I don’t blame Sid
for becoming scared. Then again, since
paranoia is kind of a thing with him, anything sympathetic is sure to be beaten
by overbearing ridiculousness.
His fear
of the movie is instantly recognized by Arnold and Stinky, with Stinky joking
around that he may be a vampire himself.
Sid being Sid, he takes this statement to heart and then reaches the
expected ridiculous conclusion that Stinky meant what he said. It’s all complete with a nightmare where
Sid’s in the place of the woman from the film and Stinky’s the vampire who
sucks his blood.
From here, the cartoon
is nothing but Sid spying on every little thing Stinky does in the name of
exposing him as a vampire. The thing is
though, many of these things have logical explanation. You don’t even need to listen to Arnold to
come up with them. Stinky only wears
sunglasses for one day, he may just not like garlic bread, and maybe he
legitimately wanted to go to the blood drive to give blood instead of taking
it. Instantly Sid starts going too far
through poor photography as a way of saying Stinky has no reflection, or taking
his sandwich while claiming a bite out of it to be a fang bite.
To be fair, he does start having some
validity when he captures a bat, believing it’s Stinky’s true form. This is an unusual occurrence, and they build
from here. At night, both Sid and Arnold
discover even more strange customs like Stinky in a large necked robe, biting a
goat’s neck, and getting into a glowing coffin.
Though Arnold starts to see these things as unusual too, he makes the
smart decision of directly confronting Stinky.
All Sid does is rush in with a rubber sword, thinking it will solve
everything. At least through doing so,
he notices that Stinky has a reflection, proving once and for all that he’s not
a vampire. Plus, those strange things he
just saw have a logical explanation too.
However, once Sid’s fears are settled, the cartoon ends with a
suggestion that Stinky really is a vampire which I just find pointless. The cartoon gave legit proof to the contrary
and no other cartoon explores this, so there’s no need to even consider the
possibility, other than for a short end gag.
The fright aspect of the story does elevate the cartoon to some
appealing level which adds a little weight and legitimacy to an otherwise
overbearing showing of Sid’s overreactions.
B+
Big Sis
The
first cartoon featuring Helga’s older sister Olga offered a lot of promise for
them to overcome their differences and become closer throughout the
series. Disappointingly, this never
really happens with Helga always having a problem with her sister whenever she
comes home, and Olga being happy with her perfection. Even in this final season, the formula is in
place with Helga and Olga not getting any closer, but that’s not all.
It’s hard enough to put up with one overly happy
character. This cartoon goes the extra
mile by teaming Olga up with another overly happy girl in the cast, Lila. Olga announces that she’s signed up for a
program where she acts as a surrogate older sibling to an only child. With Lila as her assigned only child, things
get very saccharine. Something about two
characters alike in demeanor makes the experience feel uneasy to sit through
without a well-rounded tone to make everything genuine. I suppose that’s what happens when two
characters interacting have interchangeable personalities.
As a result, the character who’s the easiest
to side with in this scenario is the edgiest one, Helga, but then again, she’s
almost always the easiest to side with being so well-written. Even so, the cartoon’s direction makes it
difficult to find out who to really side with.
It may be hard and largely unentertaining to follow Olga and Lila
together, but Helga has her share of problems too. She pulls off a lot of stunts to
inconvenience or even hurt the two of them which is kind of messed up. This especially goes for Lila since, as I’ve
said back in my Season 4 reviews, Helga should be more respectful of her since
she supports her love for Arnold.
Nevertheless, certain scenes make the sting
of Helga’s actions much less impactful.
For one thing there are interesting ways things turn out all right for
Olga and Lila so they avoid any legit pain, even if they are mostly
conveniences. There’s also more of a
demonstration to how Helga and Arnold work as a pairing despite their
tensions. As is true with what’s been
happening at this point in the series, Arnold takes a keen interest in how
Helga’s doing without her even coming to him.
He can easily tell what’s going on despite it having no bearing on him,
and points out a hard truth to Helga’s problem.
She claims she doesn’t like seeing Olga and Lila together, but because
she’s watching what they’re doing instead of leaving them be, she’s actually
feeling jealous. Through silently seeing
images of her older sister having a family bond with someone else, Helga slowly
comes to admit that this is true.
Then
comes an endearing scene where she’s upfront and honest about her feelings to
Olga. Olga then reassures her that her bond with Lila will never outshine how
she feels about her actual little sister.
You can only imagine how disappointing the payoff to all this is. Helga joins Olga and Lila for a rowboat
outing and doesn’t enjoy it a bit. In
fact, she has to do all the paddling work while Olga and Lila are sappily in
bliss as they take in the moonlight. The
last scene of Helga abandoning ship and swimming for shore makes her emotional
arc for the cartoon a total waste. It
also brings sad symbolism that while the possibility for truly bonding with
Olga exists, they’re so radically different that it will never happen.
While the overall cartoon does have its
moments if you’re in the right mood, it’s a testament to the disappointment of
a decent sibling bond never being allowed to really happen.
C-
The Ranking
1. Sid the Vampire Slayer
2. Big Sis
Be sure to stay tuned for the review of the next episode where Gerald becomes obsessed with a card game, and many boys and their dads in the cast have a bad time during a fishing trip.
If you would like to check out other Hey Arnold reviews on this blog, click here for the guide made especially for them.
Aw, yeah. I've eagerly awaited this. I'm especially interested in your view of season 5 since that's generally considered to be kind of the... worst season overall. Not that it's bad, but I still think the show peaked in quality with season 3 and despite a few standout episodes it never quite maintained the consistent quality it had before. Of course, your reviews from season 4 got me to rethink most of that season, so I'm excited to see if your insights on season five can give me pause for thought again.
ReplyDeleteHow do you make characters like Olga and Lila more insipid and annoying? Pair them together of course! It is really disappointing that Olga basically gets reset after every appearance, and she and Helga never really get anywhere in their relationship... in fact after her brilliant first appearance it just kind of gets worse every time as she seems to just get... dumber.
Though... I actually kind of like the end of this episode even if it does undercut the potentially more touching moments earlier. Helga and Olga keep taking tiny steps towards really reconciling and forming a real bond, but it's much harder in practice so... I'm sorry, I just find that long pause followed by Olga going "Oh my... where's Helga?" really funny... in a dark way.
As for Lila, she really needed a standalone episode to clarify what her whole motivation is... she started off really nice and endearing and then just kept getting weirder and more cryptic to the point where you have to wonder if she's actively messing with Helga.
Well, I always like reading your insights on what I review; I hardly ever get comments that show nearly as much engagement. I will say that Hey Arnold Season 5 is going to have some significant differences in quality compared to the other seasons, but still good overall with some episodes from here standing as some of my favorites.
DeleteAs for your thoughts on the ending to Big Sis, you do make a very good point on how it can work. In fact, I think that's a very good way of saying how the episode as a whole is watchable and not even that bad despite the problems it comes with. And Lila, if your theory about her actively trying to mess with Helga is true, then that may be the most viable reason why Helga's constantly setting out to hurt her despite supporting her secret love for Arnold.