Episode 17
Roll Over
Beethoven
In this cartoon, the Warners once again encounter another
historical figure and end up helping him come up with one of his greatest
accomplishments. This time around it’s
Beethoven who’s trying to come up with his 5th symphony, and as a
music lover, I would be very excited about this setup.
However, it saddens me to say that unlike
other historical figures the siblings have encountered, Beethoven doesn’t have
much likability to want him to make his discovery, and that’s a problem when
you consider how much of a popular classical composer he is. His pieces are some of the most loved of all
time, so it’s not a good fit to see such a condescending self-proclaiming jerky
interpretation of him. I suppose it’s
believable for him to be written this way given the quality of his work, but he
needs to be felt some sympathy if the Warners are going to end up helping him, and
this portrayal of him just doesn’t provide any.
All that said, when the Warners do show up as chimneysweeps intending to
clean his chimney, they make the whole stay with Beethoven pleasurable
with their great brand of cartoon humor as they mine his environment and
everything he says for any joke or funny occurrence possible. It’s also another good opportunity to get
humorous moments out of the individual Warners. Dot plays dumb about
Beethoven’s music and ends up giving a perfect performance, and later pops
out of nowhere in a sexy dress to seduce Beethoven with a moving lounge
number. Wakko’s big humorous moment involves
a play on how Beethoven was deaf when he attempts to play music with
Beethoven’s ear trumpet, finds out that it’s been in his ear, and then all the
Warners give a witty remark on how putting things in your ear makes you
go deaf. Yakko stands out the
most through countless level-headed comeback lines to Beethoven’s rants, even
going so far as to mock him behind his back.
His most impressive and memorable moment is when he takes offense whenever
Beethoven calls himself a “pianist” and goes to great lengths to wash his mouth
out.
There’s also a constant running gag
where the Warners hum a certain tune that should be familiar to those who know
Beethoven’s 5th, which in the end turns out to be an effective play
on getting a song stuck in your head. Even if the Warners are
technically annoying, they continue to not seem that way as everything they do
produces genuine laughs made even better by an unlikable figure like
Beethoven. Their humorous ways are even
put to great use when Beethoven goes way too far by trying to KILL them through
trapping them in the chimney with a roaring fire at the bottom. It’s a moment way too dark to be on a show
like this, so it’s great that it’s capped off by them showing up behind
Beethoven when he’s not expecting it thus lightening the disturbing tone.
The payoff to the Warners’ encounter isn’t
all that great though since they just leave him while shrugging off his
mean-spirited ways after he kicks them out. It’s not even easy
to care for Beethoven when he ends up with his 5th symphony based on
what the Warners were humming. At least
we get an interesting look at how the Warners show up in different time periods
as we end with them picking a sunflower as they head off to do Van Gough’s
chimney in a whole other era.
Despite
being bogged down by an unsympathetic Beethoven and certain uncomfortable
moments, this is a cartoon worth coming back to showing that even in their
weakest material, the Warners are always in top form when it comes to comedy. 8/10
The Cat and
the Fiddle
Cartoons starring Rita and Runt stand out from others in the
series for their showy tone and play on emotions.
We even get a great sense of this idea when
they first appear in this cartoon with Rita singing perhaps her most beautiful
song in the series with a moving tune and Bernadette Peters’ masterful singing
talents investing you in Rita’s hopes for her and her canine companion to find
a home. However, even these characters
can’t always escape comedic antic-driven cartoons which this cartoon quickly
becomes.
The strays’ search for a home
leads them to the home of a famous violin-maker, Antonio Stradivarius. Much like the last cartoon we discussed, this
depiction of a historical music figure is unlikable which is disturbing given
that he’s an accomplished artist known for all time, at least to those who are
into violins. In fact, instead of simply
being a jerk, Stradivarius is a downright diabolical villain who delights in killing
cats to use their guts to make violin strings.
It is somewhat acceptable in this cartoon’s context since we’re never
intended to sympathize with Stradivarius, but he’s a one-dimensional and
frankly creepy antagonist certainly not helped by even more weak Freelance animation. He’s thinking
completely seriously about murdering Rita and is happy with how villainous he
is. This portrayal would be better if
there was a comedic edge to his character so that he’d be a more enjoyable
one-dimensional villain, but he isn’t funny at all, leaving us nothing to enjoy
about him and making it all the more frustrating to spend most of the runtime with
him.
At least Rita and Runt are utilized
fairly well for the most part.
While Rita is easily sold on Stradivarius’ gestures to get her into his
home, she does show a clear suspicion of his true intentions, though I don’t
understand why she would push Runt to join her.
However, she does spend most of the cartoon seduced by a ball of yarn,
making her forget her suspicions. It
makes sense for this to happen since she’s a cat and all, but this cartoon
still ends up not being a good showing for Rita’s character.
Runt, on the other hand, is portrayed much better. It’s
completely believable for him to not sense Stradivarius’ villainous intentions,
right down to happily chasing after a ball used to get him away from Rita. That’s where most of this cartoon’s enjoyment
comes from. There are so many different
ways Stradivarius tries to get Runt out of his sight, some going as extreme as
using a canon to fire the ball a long distance.
However, it’s always amusing to see Runt get it every time,
thus prolonging Stradivarius’ heinous act.
It’s a fine example of how to use dumb characters properly instead of
solely as joke characters who don’t do anything productive, even if Runt
doesn’t realize what he’s doing.
These
antics stop when Runt ends up ruining Stradivarius’ violin supplies and he kicks
him and Rita out, despite the fact that he can still use her for strings
without the dog. It’s only then where
the cartoon goes back to being showy with a reprise of the opening song, and
since it’s so great, I welcome it as a nice way to end the cartoon.
In spite of the likability of the protagonists
we follow with Rita’s moving ballad and the good use of Runt’s
simple-mindedness, the boring, unentertaining, and all around creepy antagonist
holds the cartoon back. What we have is
still good, but it makes it clear that Rita and Runt truly work better when
playing on one’s emotions than starring in comedic adventures. 7/10
Cartoon Ranking
- King Yakko
- Hello Nice Warners
- Slappy Goes Walnuts
- H.M.S. Yakko
- Hooked on a Ceiling
- Temporary Insanity
- Bumbie’s Mom
- Les Miseranimals
- Space Probed
- West Side Pigeons
- Battle for the Planet
- When Rita Met Runt
- De-zanitized
- Win Big
- Taming of the Screwy
- Chalkboard Bungle
- La La Law
- Piano Rag
- Cookies for Einstein
- The Big Candy Store
- Garage Sale of the Century
- Wally Llama
- Where Rodents Dare
- Roll Over Beethoven
- Hurray for Slappy
- Cat on a Hot Steel Beam
- Operation: Lollipop
- No Pain No Painting
- Goodfeathers: The Beginning
- The Cat and the Fiddle
- La Behemoth
Song Ranking
- Yakko’s Universe
- Yakko’s World
- The Monkey Song
- What Are We?
- Little Old Slappy from Pasadena
Miscellaneous Ranking
- The Great Wakkorotti: The Master and His Music
- Gilligan’s Island Parody
- Nighty-Night Toon
- Flipper Parody
Be sure to stay tuned for the review of the next episode with three cartoons taking place in Russia with Pinky and the Brain's latest scheme thwarted by Pavlov's condition reflex experiments, the debut of Chicken Boo as a ballet star, and the Warners serving as dentists for Rasputin.
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