Tuesday, February 8, 2022

Escaping Expulsion - (The Owl House Season 2 Episode 2) - 'Toon Reviews 48

If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on TwitterNow on with today's review:

Escaping Expulsion

The first episode of this season was a great reintroduction to the main characters and their dynamic.  However, as strong as those characters are, other members of the cast are welcome ways to broaden the appeal and directions the overall show can go.  Examples of such characters include the friends Luz has made at the local magic school, Hexside.  They include her first true friends always willing and able to support her however they can, Willow and Gus. Then there is one other friend much deeper and brimming with potential all the way. 

To give context to this character, it’s necessary to explore the family she comes from, the Blight family.  Visual clues like the family owning a mansion and their children being top of their class suggest that the Blights are a very important family to look out for.  However, their prominence is most apparent in the arc of their youngest daughter, Amity.  Her first moments of the series present her as a stuck-up mean girl who loves to boast about her accomplishments to anyone beneath her, in other words, someone totally unlikeable.  Then almost immediately after her introductory episode, the show is quick to delve deep into her character, revealing many layers that make her a greatly defined personality.  Rather than inherently mean, Amity turns out to be an innocent girl pressured into perfection and forced to conceal her softer emotions, only showing them where she feels safe.  Luz coming into her life is when things start changing for the better for Amity.  Since Luz treats her well with kindness and acceptance no matter what, she gets a place where she can let down her uptight façade and be her true self.  It isn’t long before not only does Amity improve herself as well as her social life, but even grows to love this human girl, in a romantic way no less.  For someone meant to be a supporting character, Amity really astounds with how much there is to her and her story.  She feels so big and important that it seems off-putting that she ended up being the only major character sidelined at the end of Season 1 just as the bigger plot elements kicked in.  Thankfully, being an animated work of fiction, this show does not follow the real world logic of how long broken legs usually recover, and now Amity is back and able to continue her arc.  In fact, with how this episode plays out, it’s way more understandable why she was kept out of the action in the previous season’s end.  It all relates to people who have had the biggest control over her life, her parents.

The only way the Blight parents have been shown prior to this episode was in a flashback where they forced a young Amity to cut ties with her old best friend, Willow.  In fact, it now feels like blatant foreshadowing for current events that they mentioned they’d make sure she’d never be admitted into Hexside.  The dark foreboding atmosphere of that flashback is also right on the money for what goes down here.  Anyway, as this episode begins, the audience is officially introduced to what these parents are really like.  In a surprising twist, they specialize in an industrial company that sells abomination based weapons and self-defense devises.  Considering a big showcase where they sell them to investors, it’s no wonder the Blights are so rich.  As for the parents themselves, Alador, the father, is the technical mastermind behind the inventions.  The big thing about him is that he’s never all there a lot of the time, getting easily distracted by little things and barely responding to the demands of his wife.  Perhaps you could say he represents someone in the spectrum very well.  Still, he’s the lesser of the two evils as he still goes along with the controlling ways of his wife without consent.  Speaking of her, Odalia, the mother, clearly is the most powerful in the family in many respects.  Amidst her flamboyance and eccentricities when selling her products, there’s a darkness to her that perfectly captures the feel of the aforementioned flashback.  

During the showcase, Amity comes in to demonstrate the family’s products.  If her blank emotionless expressions aren’t enough to show how she feels about being her parents, consider a necklace Amity wears.  It’s only been shown once in present day as well as a prominent part of her attire when she was younger.  Here, the necklace is more than just an accessory.  It’s connected to another one Odalia has where she uses oracle magic to communicate her thoughts to Amity, pressuring her to perfection like she’s always done.  It’s straight-up emotional abuse that also robs Amity of any source of free will.  In this case, she’s supposed to pull off a demonstration with a brand new abomination based robot to earn forgiveness for an apparently lackluster performance in school.  All goes well until Amity sees the robot about to crush a photo of her and her true friends, Luz, Willow, and Gus, at Grom.  As she saves the photo, destroying the robot and killing the spirits of the investors in the process, she shows no hesitation in showing warm and caring emotions.  This group of friends is the best source of happiness she has now, and she clearly doesn’t want to lose it.  In fact, her carrying around that picture is endearingly telling of how she wants to keep her friends around wherever she goes.  Odalia, on the other hand, only caring about status and profit, feels this happiness is a major distraction to Amity, and it must be dealt with.  This in turn sends the episode’s events into a real heavy-hitting direction.

The next day at Hexside, Luz returns after an apparent break following Eda’s near-petrification.  There’s happiness all around from an excitable reunion with Willow and Gus, and Amity follows up on her crush on Luz by offering her a thoughtful pie…in spite of live fairies in the crust.  As Luz puts it, having some form of normalcy is very refreshing after everything that’s happened, and it’s endearing that it’s all from her closest friends.  Seconds later, all this happiness is promptly snuffed out when Odalia and Alador suddenly appear and call the four friends to the principal’s office.  However, it’s Luz, Willow, and Gus who are the main targets of this interrogation.  Amity’s parents list some of the escapades they were part of at school, and deem them bad influences on the student body, including Amity.  As a result, a decision is made to ruin the three’s growing potential as witches by expelling them from Hexside.  I’m confident much of the audience can see that Luz, Willow, and Gus don’t deserve something so extreme.  They may have been the center of the shenanigans that have occurred throughout the series, but they still mean well, are good at heart, and always make things right.  Even Principal Bump sees this as he clearly doesn’t want to go through with this, but since Odalia and Alador apparently outrank him, he has no choice. 

For quite some time afterward, the episode does not hold back on showing how badly expulsions can ruin kids’ lives.  Luz, Willow, and Gus are left to wallow in grief over being kicked out of their right to education so unjustly.  Their attempts to change Bump’s mind may be intentionally comedic, but how much they fail to resolve anything kind of hurts.  There is at least good heart in the matter with Bump further proving he doesn’t want to be this hard on them, breaking down every time he keeps them away.  It shows he really does care for those kids and school wouldn’t be the same without them.  It’s certainly more heartfelt than how Willow and Gus’s dads take it.  Despite them being extremely innocent in the matter, the dads hear their kids were expelled and instantly ground them for years.  They could have at least let them explain how this happened.  Scenes like this are pretty hard to watch, but they do showcase how much of a miserable experience being expelled can be for anyone living through them.  It’s felt more here from being because of two awful people abusing their authority suddenly showing up to shamelessly ruin the lives of the innocent for completely ludicrous reasons.

This steers us to how Amity reacts and approaches to all of this.  It’s very clear that all her unlikable qualities expressed in her first appearances were all a result of the influence of her parents she’s experienced since childhood.  Only recently has she found true friends through Luz and the others, and that’s given her a healthy outlet to be her true self.  You can only imagine how devastating it is to see this outlet basically be taken away from her.  As soon as Odalia and Alador infringe on her ties with Luz, Willow, and Gus, Amity is forced to witness their power over what means the most to her.  Her glares of defiance at her mother as she brands her friends as bad influences show she doesn’t believe the claims at all and would rebel against them if she could.  In fact, with how her arc has gone and how much this friend group means to her, it would very appropriate to anticipate Amity standing up to her parents and call them out.  The thing is though, they’ve had control over her since childhood, and that one flashback is enough to reveal how terrifying they are to her.  They might not necessarily be what Amity fears the most, but they still have an impact.  As a result, her parents’ influence is still there in present day despite how far she’s come as a character, demonstrated through Odalia communicating to her through that necklace again.  If that’s not enough, this whole thing is to teach Amity a lesson to not be distracted from business matters. Since Amity’s ties to her friends kept her from making up for her slipping performance, this basically means she can’t have priorities other than what her family feels is important.  Heck, Odalia even berates Amity for being in the office to watch the expulsion instead of class, even though she’s the one who called down her daughter in the first place.  That’s toxic all around and Amity knows it, but the cold authoritarian rule of her mother hits her so hard, she can’t do anything about it. 

Perhaps other than time and focus needed for other things, this is a reason why Amity was kept out of the Season 1 finale despite her being built up as a big important character.  Joining Luz and the others in rebelling against the emperor would have meant directly bringing a bad name to the Blights’ status.  She would have openly defied her family’s wishes without a way to hide it. As this episode shows, she was not in the right position to do so, though she likely would have wanted to be.  In fact, the present episode brings clear indication that Amity indeed wants to do the right thing in standing up to her parents’ cruel authority.  As Luz is dragged out of school begging for Amity to advocate for her and her friends, Amity gives a look of regret over saying nothing and letting all this happen.  Later on, she finds Luz and even apologizes for being a coward.  She knows that not doing anything was wrong and that Luz, Willow, and Gus don’t deserve what they got, but she can’t help it because of how frightening her parents are.  This mindset make perfect sense, considering that she did, after all, admit that she was too weak to be Willow’s friend all those years ago.  One very heartfelt aspect of this direction though is how Luz handles it.  It must be devastating for her to witness Amity not help her even when she begs for it, and it would be easy to have her grow bitter at Amity because of this.  However, that’s just not the person Luz is.  She shows that she understands why Amity was unable to stand up to her parents; all because of the dominance they express, especially her mother.  There’s no judgement, no scorn, and nothing that stops her from wanting to still be Amity’s friend.  Still, Luz holds onto hope that Amity can find the strength to help her and her friends out of this situation even as Amity insists that she can’t.  All this is why Luz and her friends are the best people for Amity to have in her life, why it makes sense for her to love Luz, and why it’s painful that her parents just tore them apart.

Out of Luz’s attempts to get Amity to help is a tie to the best chance at resolving everything.  At one point, Odalia tells Luz that they can come to an agreement on getting back into school.  There are warning signs to this like the general attitude of the Blight parents, Willow and Gus dismissing going through with it, and Amity insisting that Luz doesn’t even have to do that.  However, as before with taking on life-threatening danger for Eda in the last episode, Luz doesn’t let any warnings stop her.  Something harmful to her and her friends status as witches has occurred and she feels guilty, even though this whole thing is just unfair and unprecedented.  It’s also apparent that the only way anything good can happen is to confront the instigators and get something out of it as opposed to doing nothing like Amity’s led to do.  As the big hero she always strives to be, Luz goes in what seems like the most responsible direction.  Still, there’s genuine emotion here as she claims that Willow and Gus don’t deserve to be going through this, but doesn’t advocate for herself.  It’s like she still sees herself as a burden without any legit value.  It’s really no wonder why she feels like she has to risk everything for the good of everyone.  Ultimately, when visiting Odalia and Alador, Luz strikes a deal where she, Willow, and Gus can go back to school if she demonstrates the Blights’ inventions at their showcase.  On the surface that doesn’t sound so bad until you consider the Blights’ general nature.  As every abomination based weapon progresses, the ulterior motives to the deal become clearer, and soon Luz’s friends find out as well.

The whole expulsion deal has been very miserable for everyone involved, but that just makes the final climactic resolution extremely rewarding.  It starts when Amity arrives home, ready to participate in the showcase as usual.  Upon finding a note that her parents found a replacement, Amity immediately senses something’s wrong that someone came to her place.  Then when she finds a cute getup Luz put on one of her family’s many abominations, she can easily tell that Luz is in trouble.  It’s at this point that so much ire at her parents has built up to the point where Amity can’t stay a quiet coward any longer.  She busts Willow and Gus out of their punishment and they sneak into the showcase to save Luz from any potential danger.  You see, the Blight Industries weapons get more dangerous as the show goes on, and since Amity is a part of the Blight family, her believing the worst makes sense.  Sure enough, the most dangerous weapon of the showcase is saved for last.  It’s an upgraded version of the abomination robot from earlier, and according to Odalia, the robot won’t rest until its target is eliminated.  Odalia was bad all along, but setting this showcase up so Luz will get herself killed trying to beat this robot is even lower than what’s been shown.  It’s not even necessary since she already has her money and a few brief demonstrations get the point across perfectly.  Plus, just expelling Luz and her friends does enough to separate Amity from them, so you can’t even amount this to teaching her daughter a lesson.  Altogether, the Blight parents are bad, but Odalia is without a doubt pure evil, and you’re just anxious to see her get some comeuppance.  Thankfully, that’s the very route the story goes for.

It goes without saying that Amity has been the brightest spot in the Blight family with all her character development and clearest sense of heart.  Even when held back by the fear of her parents’ authority here, she remains likable and longs to help her friends.  Not only does she gain a much welcome backbone upon recognizing what Luz has gotten up to, but when Luz is in mortal danger, Amity jumps in to rescue in great style.  Before the abomination robot can finish her, Amity unleashes a great display of magic to hold it back, telling it to “stay away from MY Luz”.  This lets down the investors present, costing a lot more money for the Blights, but she doesn’t care.  She’s out to save Luz’s life, and nothing will change that.  

As for that necklace, she doesn’t even hesitate to break it so that Odalia can’t control her anymore.  By going through with this act, Amity lets it be clear that she’s not going to let her parents push her around and fights for what’s right.  This point is further enhanced by a monologue of how much she values her friendship with Luz, Willow, and Gus, mainly how they inspire her to be who she wants to be, her best self.  At that point, any doubt of the genuineness of Amity’s change for the better from her cold unpleasing beginnings is easily dispelled with this truth.  She’s making it clear that true friends who are nice and accepting are what she really wants.  Since her parents took them away with their expulsion, Amity now thinks tactfully by going after what Odalia wants most.  She threatens to destroy the robot and cost the Blights even more money if Odalia doesn’t lift the expulsion.  As Amity’s efforts have a legit effect with profits going down rapidly, Odalia has no choice but to comply with the deal.  So Amity and her true friends are back together and able to go to Hexside once more all because of Amity standing up to her abusive parents.  It’s a natural progression for her, but building up to it through the difficulty of facing her parents and the hardships of innocent students suffering makes it so grand.  The best way to make grueling story directions work is to go all out with a pleasing resolution.  With Amity making her true wants clear, fixing her friends’ rights to education, and turning out stronger and truly happy as a result, the resolution is as pleasing as it could be.  It goes to show how amazing of a character she really is.

In addition, Amity’s act of heroism, seemingly unbeknownst to her, grants welcome progression in her romance with Luz.  At this point, it’s expected for Amity to blush a lot around Luz, but when defending her like a fearless champion, it’s Luz who blushes at Amity, confirming the feelings mutual.  This is big for this particular narrative thread since for the longest time, Amity’s done any sort of flirting that can’t be denied means she loves Luz.  As for Luz, considering how she’s oblivious to Amity’s feelings due to a lot on her mind, anything that could be considered returning her love has not been nearly as clear.  I personally feel that she’s always had some attraction to Amity that stands out from attraction to others.  There’s always been an emphasis on intrigue in her, softness and sincerity in supporting/confiding in her, and wanting to include her in whatever she sets out to do.  Then there is her tendency to go all out, almost to life-threatening extents, to help the people in their lives with problems.  It’s been stated before that extreme acts of heroism are the only way Luz know how to help others.  Coupled with how she’s currently blaming herself for every bad thing that’s happened, one could say this is her way of showing she cares.  For her to realize feelings for someone, they would have to go to similar lengths for her.  Looking at how she always had hope that Amity could help her despite her fear of her parents, it feels like she always looks at Amity as someone who can go those lengths.  

Come the episode’s climax, Amity performs an extremely heroic gesture saving Luz from possible death, telling off her mother, and threatening her family's welfare.  It’s putting everything on the line like this just for Luz that makes for the ideal lover for her.  Therefore, it’s no wonder Luz would blush at Amity.  Next to Eda, she’s the only person who seems to go so far for her.  This whole thing also makes for healthy relationship development for how both Luz and Amity benefit from each other.  With the expulsion in place, their ways of handling it were both flawed.  Amity opted to stay quiet towards her parents’ authority to avoid their wrath, but that would mean the end of her ties with her true friends, and them facing fates they don't deserve.  Luz went through with the deal, but without a good plan, she nearly got killed.  The final resolution comes with alterations to both approaches where friendships are restored and no one gets hurt.  They go through with facing Amity’s parents, but do so with a plan of striking what Odalia loves the most in order to blackmail her into going back on the expulsion.  If this is how Luz and Amity as a couple will function, the potential is high for a very healthy one worth supporting.  Even though this show is not meant to be a full on romance saga, how the featured characters are handled make this storyline just as interesting and investing as every other major element.

Regarding what becomes of Odalia and Alador after all of this, it’s interesting that they’re left off as still a threat, but are also put in their place to some extent.  Further demonstrating her as a horrible person, Odalia actually plans to make it impossible for Luz, Willow, and Gus to even have a chance to go back to Hexside after the deal.  This doesn’t go through though as Alador calls out her hypocrisy, saying that as a Blight, she cannot go back on a deal, so she’s forced to keep her word.  Even bigger is that they even come up with a reason to not interfere with Amity and her friend group, all for their own selfish motivations.  They thought Amity was held back from greatness, but protecting Luz actually revealed that she's getting stronger.  In fact, they find she’s becoming so strong, she could become a coven head.  Considering the well-known association Amity has had with the Emperor’s Coven, I’d like to think that this adds to the belief that it was all what her parents wanted for her.  Now they have an idea for something even bigger for her than merely joining a coven.  Things being the way they are, even though Amity is happy now, they could very well use her strength used to ensure and protect her happiness to their advantage.  

While the Blight parents still leave a sense of menace, at the same time, they become manipulated themselves.  The episode ends with them visited by the Golden Guard.  He buys out their entire stock of abomination robots, but only so Odalia and Alador can make more for the Emperor’s Coven so Emperor Belos can keep them from starting an army.  Basically, they have a new tie to the emperor, but are now pawns in his plans.  Lots of questions are begged for how they’ll go about this setup and how this will affect their rule over their children.  Also, the idea of Belos trying to stop something like a private army suggests much paranoia within the background of his hold over the Boiling Isles.  If this is to keep other witches in their place, that would explain the existence of the coven system.  So it’s easy to anticipate all these restrictions backfiring on him in some way if Amity snapping after being restricted from being herself all her life is any indication.  The story itself is great as it is, but it’s even better for how many of its elements leave strong anticipation for what comes next.

As for subplots of this episode, the one present gives solid impressions for how Season 2 is going to handle them.  Before, most subplots were random fun escapades that had little to no relation to the main story and could easily be written off.  This one is disconnected from the main plot in terms of subject too, but it also brings up a lot of important details on the mythos of the series.  In other words, it has good reason to watch it and find worth.  It’s continuation to the idea of Eda and Lilith needing to cope with their lack of power from sharing Eda's curse.  In accordance with Luz’s plans, they’re learning all the glyph magic she knows.  The thing is, all she has to teach are four glyphs; light, ice, plant, and fire, and that’s not enough for witches anxious to get back the magic they lost.  

All throughout, there’s a strong clash of personalities from these witch sisters’ approach to learning.  Lilith, the more proper one, is very studious and honorable to Luz as her teacher, and it’s pretty adorable to watch her act as a loyal student. She follows the rules and sticks with the basics, and she’s able to advance very well at her own pace.  Eda, with little surprise, is much more a class clown who’d rather rush to do the best spells instead of stay basic.  Most of the subplot features her jealous of Lilith upstaging her, feeling competitive and desperate to master the ways of glyph magic.  One could assume this kind of competitiveness was prevalent when the sisters were younger, leading to that infamous cursing.  In any case, Eda’s need to upstage her sister leads to an ultimate experimentation of combining glyphs.  Despite this experiment creating a mess of magic that almost consumes everything in the house, forcing Eda to call Lilith for help, something valuable is gained.  

Eda actually had a good idea through combing glyphs, and Lilith was able to approach it the right way.  Glyphs are like words in a sentence, so combing glyphs a certain way creates a basis for all spells imaginable.  So even if only four glyphs exist, they’re all that’s needed to unlock all sorts of magical possibilities to the Boiling Isles, apparently.  The overall subplot may not hold a candle to the main plot, but it does have plenty of merit with what it shows of the characters, and intrigue on what there is to the concept of glyphs.

The best episodes of the shows tend to be those that leave a lot to talk about, and there’s certainly a trove of information to take in with this episode.  New characters are introduced with threatening impressions; old ones get great development that brings endearing resolutions after tedious conflicts dropped upon them; and several interesting aspects of the series are taken in very pleasing directions.  Things get tough here, fitting the dark impressions Dana Terrace always wanted for her show, but with how all obstacles are overcome, you just can’t help but feel proud.

A+

Fan Art



Series Ranking

1.      Enchanting Grom Fright

2.      Agony of a Witch

3.      Escaping Expulsion

4.      Understanding Willow

5.      Lost in Language

6.      Adventures in the Elements

7.      The Intruder

8.      Covention

9.      Young Blood Old Souls

10.  Separate Tides

11.  Escape of the Palisman

12.  Wing it Like Witches

13.  The First Day

14.  I Was a Teenage Abomination

15.  Witches Before Wizards

16.  Something Ventured, Someone Framed

17.  A Lying Witch and a Warden

18.  Sense and Insensitivity

19.  Hooty’s Moving Hassle

20.  Really Small Problems

21.  Once Upon a Swap

The next Owl House review sets out to answer just about everything many people would probably ever want to know about King to near emotional results.

Next time on MC Toon Reviews is an Amphibia review covering "The Ballad of Hopediah Plantar" and "Anne Hunter."

If you would like to check out other Owl House reviews on this blog, click here for the guide made especially for them. 

Friday, February 4, 2022

Handy Anne / Fort in the Road - (Amphibia Season 2 Episode 1) - 'Toon Reviews 49

 If you like this review and want to stay updated for what else I have in store, become a follower of this blog, click here to like the official Facebook page, and click here to follow me on TwitterNow on with today's review:

Since one of Disney’s biggest animated shows of recent day is back with a new season, I find it fitting to start reviewing the second season of its companion series.  They both feature a young teenage female protagonist transported to an unpredictable fantasy world and set themselves up for bigger things with every new season.  Instead of owls and witches, we’re in for a brand new season in a world of talking frogs and other amphibians with:

Amphibia (Season 2)

Basic Premise

The key to a great animated production is a unique creative vision able to unfold seamlessly in an artistic sequence.  As a company well-known to have make a big name of itself primarily through animation, the best place one can find such great creative visions is Disney.  It’s true that the people in charge of the company have made it seem more like a soulless media corporation looking to make a buck, but I tend to look beyond that.  While most of their attention is towards their more profitable ventures like live action and purchases of other properties, they know to leave their own animation firms alone.  This way, all their animation for film and television can be their very best and stay true to whatever the artists, the true heroes of the Disney company, imagine.  Any artist with a story they want to tell and/or world they want to bring alive is free to go all out and immerse the audience in what they have to offer.  Very little executive meddling holds back their intentions, and their impactful contributions to the medium are apparent every step of the way.  Even when their audience isn’t the biggest and there aren't many seasons to it, getting good reception is exactly what’s guaranteed to have it endure in the long run.  Ultimately, for all the company’s controversies and even difficult management of certain forms of media, I think artists should be proud to get to contribute to Disney animation.  This time, in the company’s television animation division, we look into a new season of Matt Braly’s Amphibia.

It’s a show with a simple sounding premise of a teen girl with toxic friends transported to a world of talking amphibians through a magic music box.  However, through watching the show and its distinguishable cast at play, there’s always a feeling that there’s so much more to it than one would think.  Braly has described his show as a metaphor for change, and when you consider how frogs grow from tadpoles to their own amphibious creatures, that’s a clever analogy.  It also applies well to the series when you consider the feel of each season.  The first season was very episodic, mainly covering the most important characters and their daily adventures and occasional interactions with certain side characters.  In addition to legitimately strong comedy and pleasing aesthetic, one recurring element was always the heart between the main characters and their community.  That emphasis would typically pay off when the show would venture into heavier world building stories also offering major emotional undertones.  That was when the characters and their heart could truly be felt, and the development they experienced could truly shine through.  The events of the story essentially growing alongside the cast certainly helped too, showcasing quality animation storytelling, especially animation coming from Disney.  Going into the second season, the show is going to change even more, broadening its heart, potential, and overall greatness.  We’ll be witnessing bigger story threads, more insight to this creative world, great new additions to the cast, and even more surprises.  What may have seemed like just a fun animated frog show to some is going to get bigger than ever, unfolding in a ride unlike any other.

The animated TV shows of Disney have been great additions to its legacy in recent years, and Amphibia is no exception, even if the executives in charge can’t see it.  As to exactly how great this second season is, let’s take a leap through a box to a world with a swamp  where frogs talk and find out.

Also, when looking at the rankings of all the cartoons of the series, to tell each one apart, Season 1 titles will be colored blue, and Season 2 titles will be colored green.

Now on with the reviews:

Handy Anne

The most ideal season premieres set up everything that’s to come while telling its own good story.  Fortunately, that’s what we get in this Season 2 premiere.  As Anne and Sprig reflect on the coming of a new season, which can have two different meanings if you think about it, many topics are set up naturally.  Even if some only come up in a brief mention, they’re all that’s needed to let the audience know what to mainly look forward to.  One brief mention is how Anne is handling the memories of her tense encounter with one of her human friends, Sasha, at the end of Season 1.  It’s brought up for a short time, but it says a lot of how Anne is practically traumatized of having to fight such a close companion.  

Elements that are actually big for this cartoon show up after that when Hop Pop arrives with a new family wagon, bringing to light a theme of traveling and world building.  This wagon is to take Anne and the Plantars to Newtopia, home to all-knowing newts who may know how to get Anne home.  This in turn sets up seeing more of this world beyond Wartwood, not to mention Anne possibly finding her other human friend, Marcy.  While that’s another brief mention, the plot covers a theme to define the series.  

Upon hearing of the trip, Anne feels bad that the Plantars are leaving their home behind susceptible to danger.  Because of the influences of her friends, Anne has been very reckless, impulsive, and often inclined to not think of how her actions affect others.  This is where she proves to have developed significantly, being considerate of how much is at stake for the adoptive frog family she’s grown to love.  She makes it her goal to fortify the Plantar farm to keep it safe while they’re gone.  There is still some impulsiveness on Anne’s part by not showing enough faith in the frog intended to watch the house or reading instructions on the fortifications she gets.  Despite this, the heart of her actions is completely undeniable.  

Still, there are expected backfires to Anne’s approach to everything, though they do exercise great creativity.  Her protection means turn the Plantars' crops into sentient vegetables the Plantars have to fight off, all with very imaginative designs.  

What’s more, even when it seems like they’re beaten, their threat only escalates, turning into what looks like a giant vegetable robot.  When it destroys the house Anne worked hard to protect, something else is set up to explore.  This destruction unleashes some sort of power in Anne marked by glowing blue eyes that leads her to beat the vegetable creature with an intense action maneuver.  This was only slightly hinted prior, but now some meaning to it starts to emerge.  

After that, family love wins out as Anne and the Plantars understand the meaning behind what happened as the trip officially begins. As they set off though, there is a reminder of a dark truth of Hop Pop burying the music box that sent Anne and her friends to this world in the first place.  I will also say that it feels like the house is repaired too easily, weakening the impact of what happened, and maybe there could have been more of a sendoff from the Wartwood citizens.  Perhaps it would have taken away too much focus from the important elements, but it still could have been nice touches.  Thankfully, what’s meant to be focused on is explored to its best extent and sets up the entire second season well, as all premieres should do.  In addition to telling a good story with likable family bonds at the heart, it’s a pleasing watch to kick things off.

A

Fort in the Road

With every new season of a show, the best thing to hope for is a growth in maturity of the overall storytelling.  Despite this, some plot archetypes from the previous season are bound to be persist early on.  This doesn’t make the featured cartoons bad, but it does make them look weak in comparison to others.  This applies to this cartoon where even when out on the road, Hop Pop and the Plantar youths don’t see eye-to-eye.  

The kids are excited that the current trip to Newtopia means they’ll be seeing what’s beyond their home valley, and long to get in on the adventure.  As he often does, Hop Pop lays down a lot of strict rules to follow while they’re traveling; he even has an entire book of rules.  The thing is a lot of Hop Pop’s rules are completely ridiculous that don’t guarantee danger.  It’s highly likely that they’ll be just fine doing things like striking heroic poses, making a few pit stops, and going faster than a junebug can fly.  Adding to the frustration is that there isn’t legit justification.  Hop Pop literally wrote them all himself, and acts as if his views are the only ones to follow.  Now, later on this season, there is a solid and endearing reason for being so desperate to protect the family, so it doesn’t make his portrayal here as bad as it could have been.  However, it does not and should not justify his clearly extreme measures.  

As would often be the case with kids when parents control them too much, Sprig, the most vocal about making the most of the trip, is pushed to rebel.  When passing through an interesting location of old ruins, he and Anne leave the wagon and explore it behind Hop Pop’s back.  In other words, it’s another instance of the kids having a problem with Hop Pop’s stickler for rules, so they go and disobey him to larger than acceptable extents.  

Fortunately, there are some good touches to make the trope’s execution more credible.  Instead of this act being kept secret from Hop Pop, he’s quick to blow the cover and follows Anne and Sprig into one of the ruins’ structures.  Through his comedic ongoing rants on the kids’ disobedience, some pretty interesting things are revealed about this world.  It may appear to be rustic and rural, but the interior of the structure is much more modern and technological, a departure from expectations.  Combined with Sprig’s intense curiosity, tendency to touch everything, and his frustrations with Hop Pop, the technology brings on quite an obstacle with Hop Pop in the thick of it.  Sprig’s fiddling around reveals that the structure is a factory, and it’s turned on to restart production on whatever it was made to create.  Hop Pop is safe in the procedure at first, but it gets dangerous fast with him and Anne close to being crushed.  It only takes haphazardly cramming that rule book into the factory computer to turn it off and get everyone to safety.  

Now, in accordance with this setup, one side would be fully right with the other driven to apologize.  In a nice move, both sides admit they were at fault with the kids appreciating the rules and Hop Pop realizing he was too strict.  A compromise is reached to continue the trip but also make the most of it by stopping at any place that seems interesting.  There’s also something specific to be gained here with the cartoon ending with a robot emerging from rubble and proceeding to follow the Plantars.  This gives some good insight to the factory’s purpose, and it gets a good payoff later on.  

You still have to sit through a tired setup and it’s clear the best of Season 2 is yet to come, but it’s executed to a pleasing extent.

B+

Series Ranking

1.       Reunion

2.       Toad Tax

3.       Anne vs Wild

4.       The Domino Effect

5.       Prison Break

6.       Anne of the Year

7.       Contagi-Anne

8.       Best Fronds

9.       Family Shrub

10.   Hop-Popular

11.   Wally and Anne

12.   Children of the Spore

13.   A Night at the Inn

14.   Handy Anne

15.   Lily Pad Thai

16.   Dating Season

17.   Anne or Beast?

18.   Combat Camp

19.   Cursed!

20.   Snow Day

21.   Civil Wart

22.   Stakeout

23.   Croak and Punishment

24.   Taking Charge

25.   Flood, Sweat, and Tears

26.   Bizarre Bazaar

27.   Trip to the Archives

28.   Anne Theft Auto

29.   Hop Luck

30.   Hop Pop and Lock

31.   Plantar’s Last Stand

32.   Fort in the Road

33.   The Big Bugball Game

34.   Fiddle Me This

35.   Family Fishing Trip

36.   Girl Time

37.   Breakout Star

38.   Grubhog Day

39.   Cane Crazy

40.   Sprig vs Hop Pop

41.   Cracking Mrs. Croaker


The next Amphibia review features Hop Pop try to live up to the proposed status of him as a revolutionary hero, and Anne continue her attempts to help the Plantars by mastering the way of the hunter.
Next time on MC Toon Reviews is "Escaping Expulsion" from The Owl House.
If you would like to check out other Amphibia reviews on this blog, click here for the guide made especially for them.